An intriguing YA fantasy romance, which goes on for just a bit too long.
On a college visit, African American Jack King meets “beautiful brown super-tight-curls” Kate at a party and falls for her. Over the next four months they meet up, flirt, and get close. Kate fails to turn up to Jack’s prom because she’s “genetically unwell” and has been hospitalized and within a few short pages, Kate dies and then Jack falls downstairs and also dies. But then everything resets and he’s back at the college party and has the chance to save her again (and again).
The author skillfully plays out this looping, if a little too lengthily, as Jack tries different paths to perfect his plan to save Kate, though these come with the usual unintended consequences of time travel, both trivial and catastrophic. Part of Jack’s challenge is to also keep the delicate balance with his two best friends, biracial Jillian and Latinx Francisco “Franny” Hogan, complicated by them being a couple without ever realizing Jillian had been Jack’s crush.
The central trio of Jack, Jillian and Franny is richly and convincingly drawn, though Jack feels a little like a male version of a typical YA young woman: insecure, self-deprecating, but beloved by his friends. Kate, conversely takes the usual male role of being somewhat unbelievably both one-dimesionally perfect and also interested in Jack. Though it’s nice to see this gender role reversal, it doesn’t make it any more credible.
The author tries to keep the various iterations different enough to stay interesting for the reader, but I felt that there was maybe one too many, or maybe the later ones could have been trimmed. I appreciate that this is a fantasy and isn’t going to pass a logic test, but it’s never explained why Jack doesn’t confide in anyone, even Kate, nor is any reason given for his resets, and some of his choices defy credibility.
I did love both the wide diversity of the characters and that them being of color is never the point of the story though is integral to it.
Perfect for readers who enjoyed David Levithan’s Every Day (Knopf, 2012).