Monthly Archives: June 2019

Opposite of Always by Justin A. Reynolds

Standard

Opposite of Always by Justin A. Reynolds
Katherine Tegen, 2019.

An intriguing YA fantasy romance, which goes on for just a bit too long.

On a college visit, African American Jack King meets “beautiful brown super-tight-curls” Kate at a party and falls for her. Over the next four months they meet up, flirt, and get close. Kate fails to turn up to Jack’s prom because she’s “genetically unwell” and has been hospitalized and within a few short pages, Kate dies and then Jack falls downstairs and also dies. But then everything resets and he’s back at the college party and has the chance to save her again (and again).

The author skillfully plays out this looping, if a little too lengthily, as Jack tries different paths to perfect his plan to save Kate, though these come with the usual unintended consequences of time travel, both trivial and catastrophic. Part of Jack’s challenge is to also keep the delicate balance with his two best friends, biracial Jillian and Latinx Francisco “Franny” Hogan, complicated by them being a couple without ever realizing Jillian had been Jack’s crush.

The central trio of Jack, Jillian and Franny is richly and convincingly drawn, though Jack feels a little like a male version of a typical YA young woman: insecure, self-deprecating, but beloved by his friends. Kate, conversely takes the usual male role of being somewhat unbelievably both one-dimesionally perfect and also interested in Jack. Though it’s nice to see this gender role reversal, it doesn’t make it any more credible.

The author tries to keep the various iterations different enough to stay interesting for the reader, but I felt that there was maybe one too many, or maybe the later ones could have been trimmed. I appreciate that this is a fantasy and isn’t going to pass a logic test, but it’s never explained why Jack doesn’t confide in anyone, even Kate, nor is any reason given for his resets, and some of his choices defy credibility.

I did love both the wide diversity of the characters and that them being of color is never the point of the story though is integral to it.

Perfect for readers who enjoyed David Levithan’s Every Day (Knopf, 2012).

A Good Kind of Trouble by Lisa Moore Ramée

Standard

A Good Kind of Trouble by Lisa Moore Ramée
Balzer + Bray, 2019.

This has been seen as a middle grade novel for those too young to read Angie Thomas’s The Hate U Give, which is sort of fair though rather sweeping but also downplays the merits it has in its own right.

7th grade Shayla forms the “United Nations” with her two best friends: Isabella is Puerto Rican, Julia is Japanese-American, and Shayla is black. Shayla has never had a black friend – not because she doesn’t want to but because they weren’t many other black kids in her elementary school and now she has her friend group, but some of the black kids think she’s deliberately avoiding them.

And she has never been particularly conscious of being black, but as this is set against the backdrop of trial of police officer who shot a black man walking to his car, things have started to change. Shayla develops a growing consciousness of the Black Lives Matter movement which her older sister Hana is a part of and her parents discuss it with her in a matter of fact, balanced, and informative way, gently sharing the injustice of all the trials apparently ending in the same way.

Shayla finds herself becoming more engaged and involved, particularly after her parents take her on a peaceful candlelit protest and decides to stop avoiding standing out and being risk averse. She starts wearing a black armband to show her support for BLM and though there is some antipathy towards this from white students, mostly there is support and it becomes a movement at school. This is a low key introduction to middle grade readers about social injustice and civil rights. The violence and civic unrest takes place offstage, but Shayla’s championing of the BLM movement through her black armband is a terrific way in and metaphor for the wider world.

But as well as being a portrait of the awakening consciousness to social and racial injustice of a young black girl there are also all the usual things that happen in junior high like boys, friends, and branching out to new things, which the author seamlessly integrates. Shayla’s friend group seems to be falling apart: Julia wants to spend time with the Asian American basketball team she plays in, and suddenly Isabella has blossomed into a beauty who is catching the eye of the boy Shayla has a crush on whereas another boy seems to be crushing on Shayla despite her often outright rudeness to him. Shayla gets to know other black kids through joining the track team and being one of only two girls doing shop.

I found the author’s sharp portrayal of one of the teachers to be particularly on point. Though some of the teachers are cool, Ms Jacobs the white English teacher addresses Shayla as though she is the spokesperson for all black people in the school: “I hate when a teacher assumes that just because I’m black , I’ll know all about slavery and civil rights and stuff like that.”

There is a lot going on in this novel and it can be read at different levels. I think many middle grade readers will be engaged by Shay’s voice and her thoughtful progress through 7th grade and at the same time will be excited to accompany her on her journey of self-discovery.

How to Make Friends with the Dark by Kathleen Glasgow

Standard

How to Make Friends with the Dark by Kathleen Glasgow
Delacorte, 2019.

When Grace “Tiger” Tolliver’s mother dies, she is catapulted into a grief-filled and uncharted future in this devastating YA novel.

16 year-old white Tiger and her mother are a tight-knit and insular unit, but when Tiger tentatively tries some baby steps at independence, it turns sour and she ends up lashing out at her mother’s claustrophobic protectiveness: “Why can’t you ever just fucking leave me alone.” That turns out to be the last thing she says to her mother who dies of a brain aneurysm later that day.

As there are no other relatives, Tiger is dropped into the state system while still in a tumult of grief. Refusing to eat or take off the hideous dress her mother bought her for a school dance, Tiger retreats into herself. However, her mother has left behind information about her father, and social services manages to dig up a 20-year-old half sister who agrees to be Tiger’s guardian, who has her own problems. Quite how this is considered acceptable when the parents of her best friend are turned down despite being comfortably off and having known Tiger for many years (there is no specific author’s note on the authenticity of this, but the author is familiar with the system so I take it that she knows what she’s writing about).

As she counts the minutes since her mother’s death, Tiger feels like an object being shuttled around the system. In her brief time in the emergency foster care system and later in a group home, Tiger meets caring adults who are genuinely trying to help her and others, as well as coming across stories of sickening abuse by both biological and foster parents.

Her narrative is interspersed with notes from a primer Tiger writes in her grief counseling group about dealing with the death of her mother and the ensuing emotional fallout, because there wasn’t one for her to follow and she wants other people to know what it feels like.

Though she still feels like she’s “walking around with a Grand Canyon of grief in [her] heart,” Tiger and  and the other “lost kids” she meets are slowly making families “out of scraps.” Kids she would have ignored or been intimidated by when she coasting through life not knowing what was about to hit her become close allies because of what they share.

This is a tough book to read. Early on, I was seriously considering abandoning the novel because it was so hard to read the raw feelings and comprehend the seriously messed up situation. But the author has a steady hand with light and shade, making it just about bearable, and readers who look for sad stories will find a gem here.

The Things She’s Seen by Ambelin and Ezekiel Kwaymullina

Standard

The Things She’s Seen by Ambelin and Ezekiel Kwaymullina
Knopf, 2019.

An oblique and confusing YA murder mystery (is it? Is that what this?) set in a remote Australian town looks at issues of identity, heritage and injustice through an Aboriginal lens.

16 year-old Beth Teller is dead but that doesn’t stop her helping her white father, a detective, who is the only person who can see her. He is investigating a fire in a children’s home which has left one dead (adult) body and a mysterious Aboriginal witness, Isobel Catching. When I was a lot younger, I was very fond of a British TV show called Randall and Hopkirk (Deceased), about a pair of detectives, one of whom was dead. I thought this was where this novel was going. I was wrong.

Though not initially, as Beth’s narration follows her father’s investigation in a relatively straightforward, just the facts, sort of way. But added into that, she  witnesses his grief at her death in a car crash and his refusal to make peace with her mother’s Aboriginal family.

Then we get to Catching. Her evidence is given in the form of abtruse and symbol-filled free verse. I found it somewhat incomprehensible, but Beth’s dad starts picking out connections to the fire and to the history of the children’s home.

When Beth died, she had a glimpse of “what comes next” but believes she has to stay with her father until he can accept and move on from her death, and this somehow becomes wrapped up in solving the mystery; in the meantime she is “trapped between two different sides to the world” and this somehow becomes wrapped up in Catching.

In an authors’ note, the Aboriginal brother and sister team gives some background on the history and culture of their people, before and after brutal colonization, as well as explaining some of the stories that inform Catching’s narrative.

Though this short novel switches uneasily between a police procedural and an ambiguous fantasy, it brings welcome new voices to American YA literature.