Tag Archives: supernatural

The Missing Piece of Charlie O’Reilly by Rebecca K. S. Ansari

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The Missing Piece of Charlie O’Reilly by Rebecca K. S. Ansari
Walden Pond, 2019.

There’s been something missing in 12 year-old Charlie O’Reilly’s life for the last year: his younger brother, Liam. But, bizarrely, no-one else remembers Liam – not his parents, no-one at school, and not even his best friend, Ana, though she, alone, believes Charlie. But since Liam disappeared, his mother has sunk into a deep depression and his father never seems to be at home. It’s only when Charlie and Ana talk to the new assistant baseball coach that they start to find out what might have happened to Liam.

This intriguing debut middle grade novel weaves in elements of fantasy and the supernatural into an ingenious plot, full of surprises and discoveries. Even Charlie’s vivid nightmares, about an Irish family migrating to America because of the potato famine, eventually slot into place.

Themes of loss, regret, and forgiveness are handled sensitively if sometimes a little didactically, as thoughtful, persistent Charlie balanced by brave action-focused Ana – like all major characters they appear to be white – pursues the mystery of what has happened to Liam.

As Charlie learns that life is often painful and messy, he appreciates that without that, there can also be no joy. Ideal for readers who are ready to take on that understanding.

The Things She’s Seen by Ambelin and Ezekiel Kwaymullina

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The Things She’s Seen by Ambelin and Ezekiel Kwaymullina
Knopf, 2019.

An oblique and confusing YA murder mystery (is it? Is that what this?) set in a remote Australian town looks at issues of identity, heritage and injustice through an Aboriginal lens.

16 year-old Beth Teller is dead but that doesn’t stop her helping her white father, a detective, who is the only person who can see her. He is investigating a fire in a children’s home which has left one dead (adult) body and a mysterious Aboriginal witness, Isobel Catching. When I was a lot younger, I was very fond of a British TV show called Randall and Hopkirk (Deceased), about a pair of detectives, one of whom was dead. I thought this was where this novel was going. I was wrong.

Though not initially, as Beth’s narration follows her father’s investigation in a relatively straightforward, just the facts, sort of way. But added into that, she  witnesses his grief at her death in a car crash and his refusal to make peace with her mother’s Aboriginal family.

Then we get to Catching. Her evidence is given in the form of abtruse and symbol-filled free verse. I found it somewhat incomprehensible, but Beth’s dad starts picking out connections to the fire and to the history of the children’s home.

When Beth died, she had a glimpse of “what comes next” but believes she has to stay with her father until he can accept and move on from her death, and this somehow becomes wrapped up in solving the mystery; in the meantime she is “trapped between two different sides to the world” and this somehow becomes wrapped up in Catching.

In an authors’ note, the Aboriginal brother and sister team gives some background on the history and culture of their people, before and after brutal colonization, as well as explaining some of the stories that inform Catching’s narrative.

Though this short novel switches uneasily between a police procedural and an ambiguous fantasy, it brings welcome new voices to American YA literature.

Lost Soul, Be at Peace written and illustrated by Maggie Thrash

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Lost Soul, Be at Peace written and illustrated by Maggie Thrash
Candlewick, 2018

In this idiosyncratic graphic sequel to Honor Girl (2015), Thrash (also author of the deeply fabulous We Know It Was You) mixes memoir with fiction to convey vividly the intensity of growing up.

A year and a half on from Honor Girl, Maggie is now a junior at an elite Atlanta school and feeling isolated and depressed: her grades are plummeting and her classmates are completely indifferent when she outs herself. Things are no better at home where her mother seems to want a different daughter (“You’d be very pretty if you weren’t so determined to be weird”) and her father is wrapped up in his work as a federal judge.

Maggie’s closest connection is with her beloved cat Thomasina who disappears inside their house, and when Maggie goes looking for her she finds instead a ghost called Tommy. As she and Tommy explore his background and connection to her family, Maggie becomes more aware of her privilege as well as understanding the threshold she is reluctantly crossing into adulthood. It becomes clear that she is the lost soul and that “there’s a part of you that dies when you grow up.”

Through her recognizable slightly childlike pen and water color pencil illustrations Thrash explores the overpowering feelings of being a teenager: the absolute ennui of an afternoon at home, the thrill of flirting, the horror she feels when she sits in on one of her father’s court cases. The characters’ faces and bodies, often just a few lines, wonderfully convey this wealth and depth of emotions.

Ideal for readers going through, or reflecting back on, the turmoil of adolescence.

The Turnkey of Highgate Cemetery by Allison Rushby

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The Turnkey of Highgate Cemetery by Allison Rushby
Candlewick, 2018.

In this middle-grade historical fantasy, set in World War II, the ghosts of London attempt to foil a Nazi plot. Throw in a little Indiana Jones and you have a rather jumbled but sweet tale set during the Blitz.

12 year old Flossie died 16 years ago and is now the turnkey, or protector of the dead, in Highgate Cemetery – one of London’s “Magnificent Seven”. On her wanderings around London she sees a mysterious ghost in an SS uniform who seems to be able to do things that the dead aren’t usually able to. She investigates further and with the aid of the other turnkeys and several Chelsea Pensioners (retired veterans of the British army) she starts to find out what the Nazi has planned. There is also an affecting secondary plot about a young girl whose house is bombed and who hovers between life and death.

Rushby has created an interesting world, though its one in which the rules seem to be made up to suit the plot and coincidences abound. The kindly and gentle characters, all dead and white, seem to come from a nostalgic past in which stiff upper lips and the Blitz spirit were the norm, with the exception, of course, of the irredeemably evil Nazis. The Mayan crystal skull that the SS officer is using has more than a whiff of Raiders of the Lost Ark.

Although clearly a labor of love for the author who weaves in many of her personal passions, this feels like it could have been written in the 1950’s and seems like it will have little appeal to American kids.

Dread Nation by Justina Ireland

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Dread Nation by Justina Ireland
Balzer + Bray, 2018

The author creates an extraordinary world in this genre-mixing alternate history set after the Civil War.

After the battle of Gettysburg, the dead started rising and attacking the living, so the war between the states turned into the war against the restless dead. The country has turned into autonomous walled city states on the East coast and defended homes and towns elsewhere. The ruling Survivalist party believes that the reason for the dead rising is that the Civil War changed the “natural order” and that only by having White Christian men at the top and everyone else knowing their place would  America be made “safe again”.

This means that the “Negroes” (the official term, less official words used are “darkies” and “coons”) though enfranchised have been forcibly put through combat training school and made to work protecting individuals and cities. Seen as disposable, like animals, and often poorly equipped, they are slaves in another guise, while being told they should be grateful for being taught.

Our protagonist, 17-year-old Jane McKeene is about to graduate from the presitigious Miss Preston’s combat academy. She is dark-skinned and a typical feisty YA heroine who acts before she thinks and is thoughtful, smart, resourceful, and curious. She has her own code of loyalty and self-protection, and while it leads her into some difficult scrapes, the reader is always on her side. Of course she gets into trouble and she, her classmate and nemesis Katherine, a light-skinned beauty, and multiracial Jackson are forcibly sent to Summerland, a new model town which is being built as a model for shambler-free (ie undead-free) settlements everywhere. There are some dark secrets in Summerland and Jane is just the person to uncover them, all the while battling the ever-evolving restless dead.

The characters are all vividly and generously dimensional and there is plenty of thought-provoking parallels to contemporary American society wrapped up in an exciting adventure punctuated with some horrific zombie (though that word is never used) slaying. As the book ends, Jane and her companions are headed off on a new quest and, presumably, for a sequel.

The Ruinous Sweep by Tim Wynne-Jones

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The Ruinous Sweep by Tim Wynne Jones
Candlewick, June 2018.

I really enjoyed Canadian Wynne-Jones’s The Emperor of Any Place (2015) with its mix of beautifully written realistic prose and a magical element that just blended in. The Ruinous Sweep, an ambitious literary YA murder mystery has a similar blend of dream-like fantasy and intricately dense characterization.

In the first half of the novel, which flows from the present back to the recent and further past, 17 year-old Donovan Turner has been hit by a truck and is lying critically injured and semi-comatose in an ICU. His girlfriend Beatrice, Bee, sits with him and he starts talking but what is he trying to communicate? Woven through this is a hallucinatory account of Donovan’s evening which becomes an allegorical journey. With a too abrupt shift, in the second section of the novel, Bee starts making connections from Donovan’s hospital ramblings to his past (and the reader can make connections to his interior trek), and she launches her own investigation, though this is not a murder-mystery in a straightforward sense.

The writing is elegant and precise, sharply crafted and still staying true to the characters. Both Donovan and Bee are attractive, complex, flawed people, well-matched in their grope towards defining themselves: by nature she is “be” and he is “do” but in the novel’s present, they switch roles. Bee does, however, makes a crucial to the plot decision that just seems out of character. The adults seems a little too split into saintliness and evil, but given the guiding text maybe that’s deliberate.

Wynne-Jones has been inspired by Dante’s Divine Comedy, and some of Donovan’s quest reflects Dante’s journey through the circles of Hell and Purgatory. However, there are few clues beyond the title and the epigraph that this is what the author’s doing. While I knew of the Divine Comedy, I wasn’t that familiar with it so I did a quick Wikipedia check and some of the parallels in the novel then made a bit more sense (eg Virgil, Dante’s guide, becomes Jilly, Donovan’s guide). Without this knowledge, and I suspect most teen readers will not be aware of Dante’s work beyond the title, the narrative moves into strange and weird territory without at least initial apparent reason. Maybe an Author’s Note would help? Also some of the events in Donovan’s hallucination don’t seem to make sense either as a link to his past or a clue to his present, though maybe they are an echo of Dante.

This is a challenging read to get into, but the reward is immensely fulfilling as Beatrice, like her namesake in Dante’s work, leads Donovan through purgatory and towards heaven. Ideal for teens and adults who seek out demanding reads.

Thanks to Candlewick for the ARC.

A Skinful of Shadows by Frances Hardinge

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A Skinful of Shadows by Frances Hardinge
Amulet, 2017

Hardinge (The Lie Tree, 2016) creates an extraordinary fantasy which marries a 17th century English Civil War setting with her usual dazzling creativity, deliciously deep and complex characterization, and bright, sophisticated writing.

Some members of the aristocratic Fellmottes are able to be possessed by multiple ghosts, ancestors who continue to live on by passing from body to body though, unfortunately, if too many crowd, in the spirit of the host can be lost. Young Makepeace Lightfoot, an illegitimate and lowly branch of the family, has this ability and after the death of her mother is taken in by the Fellmottes to work in their kitchen.

But she realizes that she is a spare host, being kept on hand in case a vessel for the ancestral spirits is needed and she runs away, using her wits and those of a few friendly ghosts that she has invited in, to journey across war-conflicted England, staying one step ahead of her pursuing family.

Makepeace is a trademark Hardinge protagonist: intelligent, thorny, and gutsy. But the tightrope trick here, which the author brilliantly pulls off, even adding some flourishes, is that Makepeace is host to a bear, a Royalist doctor and a Parliamentarian soldier, all of whom are fully-developed characters and have easy to follow conversations with her and each other. Makepeace has a half-brother, James, who also has the Fellmotte ability, and he is her anchor as well as the catalyst for Makepeace’s bid for freedom. This reminds me, in its profundity and authenticity, of the sibling relationship in Cuckoo Song.

At first, I found the novel to be rather slow-paced and uninvitingly grim. But I was riveted once Makepeace sets off on her own and the novel explores the political and social landscape of her country as she is hunted by her family.

As a teen, I was fascinated with the Civil War and was wholly on the side of the way more romantic Royalists. Indeed, one of my earliest historical crushes was Rupert of the Rhine (who gets a shout out here with his dog, Boy). As an older, and maybe wiser, person, I can feel much greater sympathy with the dour Parliamentarians who, while having justice on their side have a bit of a worrying hardline streak. All this to say that Hardinge does a marvelous job of evoking the divergent camps and Makepeace’s pragmatic approach to them.

Makepeace wants to do more than just get by and survive, she wants to flourish and this is an ideal novel for readers who want to do the same, whether they are middle schoolers, older teens, or adults.

Hardinge, hugely popular and feted in the UK, seems to be finding an audience here in the US following the success of The Lie Tree. Her blend of historical setting, singular fantasy, and courageously unsentimental feminist protagonists can make for a challenging and spiky read, but the balm of the gorgeous writing eases the way.

The Book of Dust: La Belle Sauvage by Philip Pullman

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The Book of Dust: La Belle Sauvage by Philip Pullman
Knopf, 2017

Pullman makes a welcome and largely successful return to the world of His Dark Materials with the first book in a new trilogy, The Book of Dust, set when Lyra Belacqua is just a baby. I LOVED all three books of HDM but most especially the middle one, The Subtle Knife which introduced Will.

In the familiar steampunky Oxford, where a person’s soul is an externalized animal daemon and alethiometers can reveal the truth, 6-month old Lyra has been placed in the sanctuary of a nunnery to protect her from the Magisterium, the ruling religious body, after a witch has prophesied that she is “destined to put an end to destiny.”

The protagonist is 11-year old Malcolm Polstead – a marvelously enterprising, curious, and full-hearted boy who is something of a precursor of Will. He helps out at his parents’ pub and at the nunnery where he meets and becomes deeply enamored of baby Lyra. In his wanderings around the city he becomes involved with a scholar-spy who might be working against the Magisterium.

When a supernatural storm floods the country, Malcolm, along with sharp and no-nonsense 16 year-old Alice, rescues Lyra from the nunnery. They set off in his canoe, La Belle Sauvage, to London to the perceived safety of Lyra’s father. On this odyssey, which has rather more natural and supernatural encounters than I really wanted, they are relentlessly pursued by a smiling villain and his hideously deformed hyena daemon.

Pullman expands the world – three alethiometers! – and adds new characters including the uncomfortably creepy villain, Gerard Bonneville. There are returning characters, including Lyra’s parents Lord Asriel and the chilling Mrs. Coulter, which might bring a frisson of familiarity to HDM readers but new readers will not be disadvantaged.

The target is still organized religion and Pullman pursues this with the Consistorial Court of Discipline, the Magisterium’s secret police, and the League of St. Alexander, which empowers children to turn in supposed enemies of the Church. Dust is discussed briefly, but to be honest, I didn’t feel I got much out of those passages and recall feeling similarly vague in the later (chronologically) books.

The ending is frustratingly abrupt, raising many questions and it is unclear how or even if the next book in the series, apparently set a decade after His Dark Materials, will answer them. Nonetheless, even with flaws, this is an impressive extension to a beloved series that will appeal to tweens, teens, and adults.

The Empty Grave by Jonathan Stroud

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The Empty Grave by Jonathan Stroud
Lockwood and Co., Book 5
Disney Hyperion, 2017

If you read many of my reviews, you’ll have noticed I can be a bit sniffy about series. This is generally because they open with a terrific flourish focusing on the personal story of some teen, but then get bogged down in subsequent novels when the author tries to open up the world he or she has created. But there are exceptions! Harry Potter is, of course, one and so is Philip Pullman’s His Dark Materials. And I believe Jonathan Stroud has created two exceptional series that get better as they go along: Bartimaeus and Lockwood and Co. So if you haven’t read them, stop looking at this right now and get to it. For the rest of us Stroud fans, you may continue on to my review of The Empty Grave.

In this outstanding 5th (and final) book in the consistently excellent Lockwood and Co series, our friends at the Lockwood psychic detective agency are digging deeper into the root of the Problem that has been plaguing Great Britain for more than 50 years.

There’s more than a hint of melancholy hanging over the charismatic Anthony Lockwood and our narrator, Lucy Carlyle, as they have now been to the Other Side, and for Lockwood, especially, it brings a devil may care desperation to his dealings with the denizens of the ghost world. While there is still much lighthearted banter, particularly between Lucy and the Skull, the overall feel is much more elegiac than previous books. And at least some of that comes from me knowing this will be the last book with my friends

Joining our regulars – Lockwood, Lucy, nerdy George Cubbins, and elegant Holly Munro – is Quill Kipps who has played a support role in previous books. Quill is older, though no more responsible than the others.

Unlike previous books, the book opens with a vignette that is directly related to the main plot arc – the gang are trying to dig up Marissa Fittes’ grave to see if there is really a body there. After this escapade, we move to an apparently unrelated case, that of the Belle Dame Sans Merci, which is more to build our growing concern about Lockwood’s state of mind than to forward the plot.

Stroud perfectly balances the scares with the warmth of the characters, and also manages to challenge the reader’s assumption (or, at least, this reader’s assumption) that everything is going to be alright. As Lockwood takes Lucy to see the empty grave between his parents, a space for him to join his family, George gets beaten up, and Quill gets a sword in the side, it’s never clear if everyone is going to come out alive. Even the skull wants his freedom and can Lucy refuse when she knows she could be dead very soon?

The series wraps up with a satisfyingly exciting climax and the end-tying warmth of the aftermath. To be honest, I was hoping this was going to be an ongoing series as it’s a high spot in my reading year, but Mr Stroud still looks pretty young so I’m hoping he can get another series going if he’s finished with Lockwood (which may be a British TV series). And I can always go back and re-read Bartimaeus.

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Before I Let Go by Marieke Nijkamp

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Before I Let Go by Marieke Nijkamp
Sourcebooks Fire, January 2018

A creepily atmospheric YA paranormal chiller which draws much of its menace from its setting in a tiny tight-knit community in the wilds of Alaska during the long winter when there are few hours of daylight. Corey returns to Lost Creek, “an almost all-white conservative town with little room for wayward girls,” for the funeral of Kyra, her troubled best friend and almost immediately realizes it was a suicide not an accident. Corey becomes increasingly troubled by the town inhabitants’ attitude towards Kyra in both life and death and, even though she herself left only a few months ago, their closing against her as an “outsider.” This is interspersed with flashbacks to the previous two years during which Kyra’s alternate manic episodes and depressions had become increasingly severe. Niekamp (This Is Where It Ends, 2016) draws nuanced portraits of both bipolar Kyra, looking only for acceptance of herself as she is, and Corey, convincingly conflicted between being there for her friend and craving normality. Some interesting sub-plots around sexuality are undeveloped and the novel occasionally breaks into a screenplay format for no apparent reason. Nonetheless, this will appeal to teens who enjoy magical realism with a side of eerie. Reviewed from an ARC.