Lost Soul, Be at Peace written and illustrated by Maggie Thrash
In this idiosyncratic graphic sequel to Honor Girl (2015), Thrash (also author of the deeply fabulous We Know It Was You) mixes memoir with fiction to convey vividly the intensity of growing up.
A year and a half on from Honor Girl, Maggie is now a junior at an elite Atlanta school and feeling isolated and depressed: her grades are plummeting and her classmates are completely indifferent when she outs herself. Things are no better at home where her mother seems to want a different daughter (“You’d be very pretty if you weren’t so determined to be weird”) and her father is wrapped up in his work as a federal judge.
Maggie’s closest connection is with her beloved cat Thomasina who disappears inside their house, and when Maggie goes looking for her she finds instead a ghost called Tommy. As she and Tommy explore his background and connection to her family, Maggie becomes more aware of her privilege as well as understanding the threshold she is reluctantly crossing into adulthood. It becomes clear that she is the lost soul and that “there’s a part of you that dies when you grow up.”
Through her recognizable slightly childlike pen and water color pencil illustrations Thrash explores the overpowering feelings of being a teenager: the absolute ennui of an afternoon at home, the thrill of flirting, the horror she feels when she sits in on one of her father’s court cases. The characters’ faces and bodies, often just a few lines, wonderfully convey this wealth and depth of emotions.
Ideal for readers going through, or reflecting back on, the turmoil of adolescence.
Hearts Unbroken by Cynthia Leitich Smith
When Native American Louise’s Kansas high school theater announces a “color-conscious” production of The Wizard of Oz, the prejudices and lack of awareness of some of the school’s majority white community become apparent.
Last year, when Lou’s family moved to Kansas she fell into the social scene she had been used to in Texas – the popular jock-centered crowd. She dated one of the football team until he reveals his casual prejudice about Native Americans. Fast forward to senior year and Lou is determined to be more aware of the microagressions around her.
When Lou’s brother, freshman Hughie is cast as the Tin Man and two other students of color get major parts in the musical, the Parents Against Revisionist Theater campaign starts up, and the families gets hate letters, telling them to “go back to where you came from.” (Ironic, huh?)
Lou finds solace in her new family at Hive, the school newspaper and in the support of many teachers and students. She has all the idealism and self righteousness of her age but as she explores and solidifies her own Muscogee identity she finds that she herself can be unthinkingly prejudiced whether it is with her underprivileged friend Shelby or with her Lebanese-Scottish potential romantic interest Joey.
Though the novel can get a little didactic and there are too many underdeveloped secondary characters, Smith effectively brings to life a slice of Native American culture as well as exposing the often casual bigotry that people of color can face. Includes a Mvskoke-English glossary.
***Highly recommended by Debbie Reese***
Grenade by Alan Gratz
Set in the final days of World War II, this intense middle grade/YA historical fiction takes place during the long and bloody battle of Okinawa. 14-year-old native Okinawan Hideki Kaneshiro is forcibly drafted into Japan’s Blood and Iron Student Corps. He is told that the American soldiers are monsters and given two grenades – one to kill the enemy with and one to kill himself. But when his destiny collides with that of young white Ray Majors, part of the invading American force, he chooses to abandon the fight and find his older sister, the only remaining member of his family.
Gratz (Refugee, 2017) graphically shows the terrors of war through the fears and reactions of his two protagonists. However, the implicit message that soldiers on both sides are ordinary men – husbands, sons, brothers, and fathers – put under such unbearable pressure that they become monsters seems a little disingenuous given Japan’s record of war atrocities.
There is a preliminary note explaining the use of the era’s now offensive terminology and, at the back, an author’s note helpfully elucidates why this island was so important to the US and Japan, what the outcome of this battle meant to both sides, and also provides context about Okinawa’s subjugation to Japan. There will also be a glossary, though this reader didn’t feel the need for one as the Okinawan words and beliefs are fully explained in the text.
Gratz clearly has a feel for this era and showing it through the eyes of teens on both sides makes it accessible history for teen readers.
Reviewed from an ARC
Be Prepared written and illustrated by Vera Brosgol
First Second, 2018.
Poor Vera just doesn’t fit in anywhere. In this memoir, the 9-year-old Russian immigrant tries to be like her affluent American friends but her mother ruins her perfect sleepover birthday party by getting the wrong sort of cake (with Russian writing on it!) and a non-Pizza Hut, non-stuffed crust pizza. And then her friends actually all get picked up in the middle of the night because they’re scared. Vera decides she wants to go to summer camp, just like her friends, and finds a Russian one, ORRA, where she believes she won’t feel “weird and different,” so she persuades her mother to find the money for both her and her reluctant younger brother Phil to go.
Sadly, and heart-squeezingly, camp is nothing like Vera was expecting. She gets put with much older and more sophisticated girls who are not at all interested in bra-less bespectacled Vera. And the bathrooms! Meanwhile, Phil seems to be having a ball. The author does not shy away from the absolute misery of most of her time at ORRA, while still making it funny for the reader. Though things improve after Vera goes on a hiking trip and makes friend with a younger girl, her wretchedness when her mother asks her to stay another two weeks is palpable. The only pleasure Vera finds is in sketching and she uses this talent to “buy” friendship by drawing the other campers, though this backfires on her.
The illustrations, in black and shades of olive green manage to evoke all the misery and occasional bright spot of camp, as well as the explosion of happiness at leaving and never having to go back. The illustrations of the glum owl-bespectacled Vera trudging through her days at camp and comparing her suffering to that of the Russian peasants, are touching and humorous, and sharply contrast with her exuberant joy when she finds a pal.
Included at the back of the book is a genuIne letter that Vera sent her mother from camp. I cannot imagine being on the receiving end of such a misery-filled missive. My kids have had their ups and downs at camp but have at least managed a somewhat cheerful postcard.
We leave Vera about to move to London – dare we hope for further installments?