This stunning second novel from Angie Thomas is set in Garden Heights, the same fictional neighborhood as The Hate U Give (2017). 16yo Bri raps to express her feelings, but when an opportunity arises to be able to make money from her rapping, she has to decide whether the price she’ll pay is worth it.
Bri lives with her mother and brother, somehow just about scraping by. The author paints a warm portrait of a loving home: Bri’s mother is an ex-drug addict who is barely coping but is committed to raising her children to a better way of life; when she loses her job the fragile hold they have on managing is broken. Her brother has graduated from university but can’t get any better job than working at a pizza place. Meanwhile the gang members, including her Aunt Pooh have plenty of money.
Bri goes to an arts school in a more affluent part of town and is part of a small group of brown and blacks students, which enables the school to maintain its funding. But the security guards seem to single out these students for searches, and when one of them tries to search Bri’s backpack, her frustration at the situation explodes. Then the video of a part of this exchange gets onto social media and assumptions are made about what the search was for.
All this make Bri feel powerless: She wants to take control of her destiny and take the power away from other people over her. For Bri getting the “come-up” and making it means money initially, but it becomes more complex and nuanced.
As the daughter of now deceased local rap legend Lawless, Bri already has a certain kudos in the neighborhood, and her brilliant performance at a rap battle helps to solidify that. So when she records an anger-fueled rap that plays with black stereotypes that’s taken at face value, she has a tough decision to take: does she want to persist with this potentially lucrative “hoodlum” image or does she stay true to herself.
Thomas brilliantly plays with the theme of perceptions: the perception others have of Bri because she is black, because she is angry, because she is a girl, because she is a teen and all the combinations of those. Bri’s perception of herself and the persona that she wants to present move and coalesce over the course of the novel.
I was a little fearful about a novel with rap in it: I’m a middle-aged white woman and it’s not really my thing. I have frequently found rap or spoken word poetry in YA novels to be excruciating and have hastily skipped over them. But Bri’s raps jump off the page with rhythm and edge and while they read well on the page, I suspect the audiobook rendition would be on a whole other level.
This is another fantastic, intelligent, and powerful novel from Ms Thomas and will cement her position at the front of the YA pack.