Tag Archives: tragedy

Wilder Girls by Rory Power

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Wilder Girls by Rory Power
Delacorte, 2019

An eye-catching cover and intriguing premise is sure to bring readers to this YA speculative thriller, reminiscent of Jeff Vandermeer’s Annihilation.

18 months ago, the Tox hit Raxter School for Girls on a remote Maine island. Most of the teachers went mad and killed themselves, some girls lost or gained body parts, others mutated in different ways, and the flora and fauna on the island has grown larger and wilder. Narrator Hetty has lost an eye, her friend Byatt has grown a second spine and the hand of her other friend Reese has turned to silver scales.

With the CDC and Navy promising a cure, the school is quarantined behind a secure fence and cut off from all communications, but this precarious balance is blown when narrator Hetty joins the “Boat Shift” – the group that leaves the school to collect supplies – and when Byatt disappears. 

In the first part of the book Power leisurely builds the world with a few brief glimpses of life before the Tox. Character development does not seem to be a priority (main characters all default white) and even Hetty is not much more than a stereotypical YA dystopian protagonist. Her unresolved sexuality and out of the blue attraction to Reese provide some relief from the disease-driven plot, but the novel remains one-note overwrought, with life-threatening crises from page to page.

The arc of the story follows a familiar pattern as Hetty and friends start to search for explanations and unravel a potential conspiracy (Maze Runner fans might have some ideas) and the plot picks up momentum, with fast-paced, occasionally gruesome, action and horror. 

An environmental theme is introduced late in the novel and with many questions unanswered a sequel is sure to follow. 

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How It Feels to Float by Helena Fox

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How It Feels to Float by Helena Fox
Dial, 2019.

Drawing on her personal experience of mental illness, the author creates an absorbing and authentic portrait of a teen girl under extreme stress.

At the beginning of the book, set in Australian oceanside town of Wollongong, 17 year-old Elizabeth “Biz” Grey feels disengaged and removed, and her brain gets stuck in loops.  Unsure of her sexuality, she tried to kiss her best friend Grace but is also attracted to new boy Jasper (all main characters appear to be white with the possible exception of Grace whose last name is Yu-Harrison).

Following an incident at the beach after which she is ostracized by her friend posse, she begins to lose her already tenuous grip on reality. She still sees and converses with her father, but he died when she was seven, and when she takes up photography, the images she creates literally speak to her. Her desperate and loving mother and endearing young siblings provide a solid home life but though Biz appears to be coping, inside she feels she is a “non-functioning sad person.”

The intense first person narrative puts the reader right in Biz’s head as her thoughts shake and circle around, showing her fuzzy line between reality and hallucination and her perception of the fragile line between life and death. It is a particularly tough read when she contemplates suicide but she ultimately decides that she needs to follow her father’s life in order to “get better.”

The author delicately and evocatively shows the complexities of mental illness as well as the challenges and grief it puts on friends and family. Will appeal to readers who appreciated Neal Shusterman’s Challenger Deep.

Resources are provided in the acknowledgements.

Reviewed from an ARC.

The Missing Piece of Charlie O’Reilly by Rebecca K. S. Ansari

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The Missing Piece of Charlie O’Reilly by Rebecca K. S. Ansari
Walden Pond, 2019.

There’s been something missing in 12 year-old Charlie O’Reilly’s life for the last year: his younger brother, Liam. But, bizarrely, no-one else remembers Liam – not his parents, no-one at school, and not even his best friend, Ana, though she, alone, believes Charlie. But since Liam disappeared, his mother has sunk into a deep depression and his father never seems to be at home. It’s only when Charlie and Ana talk to the new assistant baseball coach that they start to find out what might have happened to Liam.

This intriguing debut middle grade novel weaves in elements of fantasy and the supernatural into an ingenious plot, full of surprises and discoveries. Even Charlie’s vivid nightmares, about an Irish family migrating to America because of the potato famine, eventually slot into place.

Themes of loss, regret, and forgiveness are handled sensitively if sometimes a little didactically, as thoughtful, persistent Charlie balanced by brave action-focused Ana – like all major characters they appear to be white – pursues the mystery of what has happened to Liam.

As Charlie learns that life is often painful and messy, he appreciates that without that, there can also be no joy. Ideal for readers who are ready to take on that understanding.

A Good Kind of Trouble by Lisa Moore Ramée

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A Good Kind of Trouble by Lisa Moore Ramée
Balzer + Bray, 2019.

This has been seen as a middle grade novel for those too young to read Angie Thomas’s The Hate U Give, which is sort of fair though rather sweeping but also downplays the merits it has in its own right.

7th grade Shayla forms the “United Nations” with her two best friends: Isabella is Puerto Rican, Julia is Japanese-American, and Shayla is black. Shayla has never had a black friend – not because she doesn’t want to but because they weren’t many other black kids in her elementary school and now she has her friend group, but some of the black kids think she’s deliberately avoiding them.

And she has never been particularly conscious of being black, but as this is set against the backdrop of trial of police officer who shot a black man walking to his car, things have started to change. Shayla develops a growing consciousness of the Black Lives Matter movement which her older sister Hana is a part of and her parents discuss it with her in a matter of fact, balanced, and informative way, gently sharing the injustice of all the trials apparently ending in the same way.

Shayla finds herself becoming more engaged and involved, particularly after her parents take her on a peaceful candlelit protest and decides to stop avoiding standing out and being risk averse. She starts wearing a black armband to show her support for BLM and though there is some antipathy towards this from white students, mostly there is support and it becomes a movement at school. This is a low key introduction to middle grade readers about social injustice and civil rights. The violence and civic unrest takes place offstage, but Shayla’s championing of the BLM movement through her black armband is a terrific way in and metaphor for the wider world.

But as well as being a portrait of the awakening consciousness to social and racial injustice of a young black girl there are also all the usual things that happen in junior high like boys, friends, and branching out to new things, which the author seamlessly integrates. Shayla’s friend group seems to be falling apart: Julia wants to spend time with the Asian American basketball team she plays in, and suddenly Isabella has blossomed into a beauty who is catching the eye of the boy Shayla has a crush on whereas another boy seems to be crushing on Shayla despite her often outright rudeness to him. Shayla gets to know other black kids through joining the track team and being one of only two girls doing shop.

I found the author’s sharp portrayal of one of the teachers to be particularly on point. Though some of the teachers are cool, Ms Jacobs the white English teacher addresses Shayla as though she is the spokesperson for all black people in the school: “I hate when a teacher assumes that just because I’m black , I’ll know all about slavery and civil rights and stuff like that.”

There is a lot going on in this novel and it can be read at different levels. I think many middle grade readers will be engaged by Shay’s voice and her thoughtful progress through 7th grade and at the same time will be excited to accompany her on her journey of self-discovery.

How to Make Friends with the Dark by Kathleen Glasgow

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How to Make Friends with the Dark by Kathleen Glasgow
Delacorte, 2019.

When Grace “Tiger” Tolliver’s mother dies, she is catapulted into a grief-filled and uncharted future in this devastating YA novel.

16 year-old white Tiger and her mother are a tight-knit and insular unit, but when Tiger tentatively tries some baby steps at independence, it turns sour and she ends up lashing out at her mother’s claustrophobic protectiveness: “Why can’t you ever just fucking leave me alone.” That turns out to be the last thing she says to her mother who dies of a brain aneurysm later that day.

As there are no other relatives, Tiger is dropped into the state system while still in a tumult of grief. Refusing to eat or take off the hideous dress her mother bought her for a school dance, Tiger retreats into herself. However, her mother has left behind information about her father, and social services manages to dig up a 20-year-old half sister who agrees to be Tiger’s guardian, who has her own problems. Quite how this is considered acceptable when the parents of her best friend are turned down despite being comfortably off and having known Tiger for many years (there is no specific author’s note on the authenticity of this, but the author is familiar with the system so I take it that she knows what she’s writing about).

As she counts the minutes since her mother’s death, Tiger feels like an object being shuttled around the system. In her brief time in the emergency foster care system and later in a group home, Tiger meets caring adults who are genuinely trying to help her and others, as well as coming across stories of sickening abuse by both biological and foster parents.

Her narrative is interspersed with notes from a primer Tiger writes in her grief counseling group about dealing with the death of her mother and the ensuing emotional fallout, because there wasn’t one for her to follow and she wants other people to know what it feels like.

Though she still feels like she’s “walking around with a Grand Canyon of grief in [her] heart,” Tiger and  and the other “lost kids” she meets are slowly making families “out of scraps.” Kids she would have ignored or been intimidated by when she coasting through life not knowing what was about to hit her become close allies because of what they share.

This is a tough book to read. Early on, I was seriously considering abandoning the novel because it was so hard to read the raw feelings and comprehend the seriously messed up situation. But the author has a steady hand with light and shade, making it just about bearable, and readers who look for sad stories will find a gem here.

The Things She’s Seen by Ambelin and Ezekiel Kwaymullina

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The Things She’s Seen by Ambelin and Ezekiel Kwaymullina
Knopf, 2019.

An oblique and confusing YA murder mystery (is it? Is that what this?) set in a remote Australian town looks at issues of identity, heritage and injustice through an Aboriginal lens.

16 year-old Beth Teller is dead but that doesn’t stop her helping her white father, a detective, who is the only person who can see her. He is investigating a fire in a children’s home which has left one dead (adult) body and a mysterious Aboriginal witness, Isobel Catching. When I was a lot younger, I was very fond of a British TV show called Randall and Hopkirk (Deceased), about a pair of detectives, one of whom was dead. I thought this was where this novel was going. I was wrong.

Though not initially, as Beth’s narration follows her father’s investigation in a relatively straightforward, just the facts, sort of way. But added into that, she  witnesses his grief at her death in a car crash and his refusal to make peace with her mother’s Aboriginal family.

Then we get to Catching. Her evidence is given in the form of abtruse and symbol-filled free verse. I found it somewhat incomprehensible, but Beth’s dad starts picking out connections to the fire and to the history of the children’s home.

When Beth died, she had a glimpse of “what comes next” but believes she has to stay with her father until he can accept and move on from her death, and this somehow becomes wrapped up in solving the mystery; in the meantime she is “trapped between two different sides to the world” and this somehow becomes wrapped up in Catching.

In an authors’ note, the Aboriginal brother and sister team gives some background on the history and culture of their people, before and after brutal colonization, as well as explaining some of the stories that inform Catching’s narrative.

Though this short novel switches uneasily between a police procedural and an ambiguous fantasy, it brings welcome new voices to American YA literature.

The Bridge Home by Padma Venkatraman

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The Bridge Home by Padma Venkatraman
Nancy Paulsen, February 2019

A heart-wrenching and deeply moving story about impoverished street kids in India. When sisters Viji and Rukku’s alcoholic father moves from beating their mother to hitting them, they run away from their village home to a big city. Viji is 11 and though Rukku is older, she has an intellectual disability so Viji makes the decisions.

With little money and without knowing anybody, Viji tries to find work and shelter, and they encounter threatening adults and kids as well as kind ones, eventually finding familial companionship with two boys, Arul and Muthu, sharing their tent home on an abandoned bridge. While Rukku finds some independence making necklaces, Viji picks up the boys’ trade of rag-picking but it’s a precarious life on the street particularly for girls and particularly with the rainy season threatening.

The reader is aware from the beginning that Viji and Rukku will be separated and this knowledge looms over the narrative, as Viji recalls their journey as though recounting it to Rukku, in the same way that she tells her nightly stories about two princesses.

Venkatraman (A Time to Dance, 2014)  shines a light on the appalling conditions that thousands of Indian children live in, through this short and elegantly written novel. Viji conveys the menace that some adults present but the author keeps this appropriate for a middle grade reader and is not explicit on the genuine and appalling threats that face the street kids. An author’s note gives more details.

Reviewed from an ARC.