Tag Archives: friendship

Release by Patrick Ness

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Release by Patrick Ness
HarperTeen, 2017

Over the course of one “eternal pivotal day” Ness’s masterful YA speculative novel tracks both gay white rising senior Adam Thorn and the destiny of the world. As in The Rest of Us Just Live Here (2015), the author intersperses a wrenching realistic novel with snippets of an apparently unrelated fantasy story, and their coming together at the end, a mere brief kiss of two worlds, completes both stories.

Adam is having the worst day of his life: His former lover Enzo, who he is still not over, is leaving town, his boss fires him after Adam turns down his advances, and there is tension with his repressive evangelical family.  Adam reels through all of this wanting only a release to let him live his life as he wants.

Meanwhile the spirit of a girl who was murdered has bound itself to a Queen, and seeking her own release walks the town. And if the Queen doesn’t get back to the lake before the sun sets, then the world will end.

Adam is a vibrantly alive teen who has felt unloved by his blood family so has created his own family. Angela, who is Korean, is everything a person might want in a best friend – supportive, funny, wise and always on his side. Her liberal and loving adoptive family provide a stark contrast to Adam’s. And he has a new boyfriend, Linus, who Adam knows intellectually is so much better for him than Enzo but his heart has yet to accept it. (Note: there is some fairly explicit but sensually written sex).

As I found with The Rest of Us, I chafed at the fantasy element initially but loved the realistic sections. Towards the middle I was appreciating the way they echoed and resonated with each other, and by the end, the closure made sense, though the two stories are nowhere near as integrated as in the previous novel. Could it work without? Yes, probably, but it would be a lesser novel.

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That Inevitable Victorian Thing by E. K. Johnston

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That Inevitable Victorian Thing by E. K. Johnston
Dutton, 2017

This quirkily appealing alternate history imagines that the sun never set on the British Empire because Queen Victoria’s descendants married into the colonies, ensuring a “cosmopolitan, multiracial mosaic.” Now, two centuries on, a debut ball in Toronto brings together quiet and pragmatic white Helena, her Irish-Hong Kong Chinese unspoken intended August, and Margaret, with “brown skin, epicanthal folds” and a “curly dark mass” of hair.

Each of the three has a secret that will shape their futures: Margaret is actually the heir to the throne; August has got himself into legal and financial trouble; Helena learns that she has an XY chromosome and is intersex. How these three learn each other’s secrets and what they do with them makes for an entertaining and charming novel. However, I thought that Helena’s Big Reveal was somewhat muffled and its significance isn’t explained till much later.

The world the author has created is an intriguingly odd mash up of Victorian era dress and manners, present day technology, and scifi genetic matching and it is explicated through snippets of history at the start of chapters. I found the role of genetics, which is somehow under the purview of the Church, to be a little confusing and it was never entirely clear to me what connection Helena’s mother had with all of this.

Nonetheless, the author’s three lead characters are very well-crafted and it is their story and the unexpected ways in which their relationships develop that form the beating heart of the novel and while the setting is smart it takes a backseat to that. While I spent most of the novel assuming it was going to be a series because of the leisurely pace, a surprisingly quick and complete wrap-up suggests otherwise though I actually wouldn’t mind a sequel.

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They Both Die at the End by Adam Silvera

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They Both Die at the End by Adam Silvera
HarperTeen, 2017.

This magnificent and haunting YA novel is set in an alternate present day New York in which Death-Cast alerts you on the day you are to die.

Two teen Latinx boys who have received this call spend their last day together ensuring that they live before they die. Puerto Rican Mateo has been living his life vicariously through video games and online updates of other Deckers, as those who are on their End Day are called, and Cuban American Rufus has felt lost and out of control since he saw the rest of his family die.

They meet through the Last Friend app and movingly support each other as they tie up ends and make peace with themselves. Silvera (More Happy than Not, 2015) has created two wonderful and wonderfully distinct characters and their dual narration is punctuated with short accounts of other people whose lives are, however briefly, touched by these young men.

As the plot drives towards the inevitable end, signaled by the book’s title, this reader for one was hoping for a miracle, and  the potent theme of living without fear and regrets shines through. Tears were shed.

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The Empty Grave by Jonathan Stroud

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The Empty Grave by Jonathan Stroud
Lockwood and Co., Book 5
Disney Hyperion, 2017

If you read many of my reviews, you’ll have noticed I can be a bit sniffy about series. This is generally because they open with a terrific flourish focusing on the personal story of some teen, but then get bogged down in subsequent novels when the author tries to open up the world he or she has created. But there are exceptions! Harry Potter is, of course, one and so is Philip Pullman’s His Dark Materials. And I believe Jonathan Stroud has created two exceptional series that get better as they go along: Bartimaeus and Lockwood and Co. So if you haven’t read them, stop looking at this right now and get to it. For the rest of us Stroud fans, you may continue on to my review of The Empty Grave.

In this outstanding 5th (and final) book in the consistently excellent Lockwood and Co series, our friends at the Lockwood psychic detective agency are digging deeper into the root of the Problem that has been plaguing Great Britain for more than 50 years.

There’s more than a hint of melancholy hanging over the charismatic Anthony Lockwood and our narrator, Lucy Carlyle, as they have now been to the Other Side, and for Lockwood, especially, it brings a devil may care desperation to his dealings with the denizens of the ghost world. While there is still much lighthearted banter, particularly between Lucy and the Skull, the overall feel is much more elegiac than previous books. And at least some of that comes from me knowing this will be the last book with my friends

Joining our regulars – Lockwood, Lucy, nerdy George Cubbins, and elegant Holly Munro – is Quill Kipps who has played a support role in previous books. Quill is older, though no more responsible than the others.

Unlike previous books, the book opens with a vignette that is directly related to the main plot arc – the gang are trying to dig up Marissa Fittes’ grave to see if there is really a body there. After this escapade, we move to an apparently unrelated case, that of the Belle Dame Sans Merci, which is more to build our growing concern about Lockwood’s state of mind than to forward the plot.

Stroud perfectly balances the scares with the warmth of the characters, and also manages to challenge the reader’s assumption (or, at least, this reader’s assumption) that everything is going to be alright. As Lockwood takes Lucy to see the empty grave between his parents, a space for him to join his family, George gets beaten up, and Quill gets a sword in the side, it’s never clear if everyone is going to come out alive. Even the skull wants his freedom and can Lucy refuse when she knows she could be dead very soon?

The series wraps up with a satisfyingly exciting climax and the end-tying warmth of the aftermath. To be honest, I was hoping this was going to be an ongoing series as it’s a high spot in my reading year, but Mr Stroud still looks pretty young so I’m hoping he can get another series going if he’s finished with Lockwood (which may be a British TV series). And I can always go back and re-read Bartimaeus.

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Before I Let Go by Marieke Nijkamp

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Before I Let Go by Marieke Nijkamp
Sourcebooks Fire, January 2018

A creepily atmospheric YA paranormal chiller which draws much of its menace from its setting in a tiny tight-knit community in the wilds of Alaska during the long winter when there are few hours of daylight. Corey returns to Lost Creek, “an almost all-white conservative town with little room for wayward girls,” for the funeral of Kyra, her troubled best friend and almost immediately realizes it was a suicide not an accident. Corey becomes increasingly troubled by the town inhabitants’ attitude towards Kyra in both life and death and, even though she herself left only a few months ago, their closing against her as an “outsider.” This is interspersed with flashbacks to the previous two years during which Kyra’s alternate manic episodes and depressions had become increasingly severe. Niekamp (This Is Where It Ends, 2016) draws nuanced portraits of both bipolar Kyra, looking only for acceptance of herself as she is, and Corey, convincingly conflicted between being there for her friend and craving normality. Some interesting sub-plots around sexuality are undeveloped and the novel occasionally breaks into a screenplay format for no apparent reason. Nonetheless, this will appeal to teens who enjoy magical realism with a side of eerie. Reviewed from an ARC.

Orphan Island by Laurel Snyder

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Orphan Island by Laurel Snyder
Walden Pond, 2017

This middle grade story of nine self-sufficient orphans on a mysterious island can be read as a low key fantasy and/or an allegory of the unfettered joys of childhood and the looming responsibilities of maturity. It reminded me, in some respects of Jerry Spinelli’s Hokey Pokey but I found it way more appealing than Spinelli’s nonsense and think it could get some MG readers.

Every year, a boat arrives on orphan Island carrying a very young child. The young child is taken into the care of the second oldest of the 9 residents and the oldest one gets onto the boat to embark for who knows where physically, but adulthood metaphorically.

Life on the island is blissfully easy. Food is abundant, the wildlife is unharmful, it only rains at night, and even the wind throws the kids back onto land if they jump off a cliff. However, there is a strict unwritten structure and set of rules passed down from all the previous residents, which the children follow religiously (deliberate choice of word there).

Jinny was heartbroken when Deen left the island, leaving her as the Elder taking care of the new girl Ess. She isn’t very good at teaching Ess what she needs to know – reading and swimming – nor is she very good at training Ben, the next in line, on how to be an Elder. Jinny doesn’t want to follow the rules and when she breaks one of the most important ones, life on the island becomes out of joint.

Jinny rings true as a conflicted pre-adolescent and her relationship with her young charge, Ess, is delightfully imperfect; however, the other characters, who have a variety of different skin, hair and eye colors, are just sketched in.

I found some of the metaphors a trifle heavy handed – the entrance of snakes to this garden of Eden and Jinny’s long swim away from the island – but maybe this wouldn’t be the case for the intended audience.

Many questions are unanswered  who sends them to the island? What do they go back to? who set up this home? are they really orphans? – but the ending, bringing the story full circle, feels complete.

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A Short History of the Girl Next Door by Jared Reck

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A Short History of the Girl Next Door by Jared Reck
Knopf, Sept 2017

Matt and Tabby have been friends forever, but as they start high school Matt is hiding that he is in love with her, though she does not reciprocate. In fact, she starts dating handsome senior Luke, star athlete and all round nice guy so Matt puts himself in a self-imposed competition with Luke both for Tabby and on the basketball court. When a tragedy strikes, Matt goes off the emotional rails.

Debut author Reck is following a well-trodden path for his first novel (in fact, Kirkus notes many similarities with John Green’s Waiting for Alaska), and up until the tragedy occurs, while I was happy to read the engagingly written book, I was not finding anything out of the ordinary. It is only when Matt is plunged into grief that the book moves tentatively out of the ‘so what?’ zone. Reck has written with authority and insight into the anger that can be part of grieving; Matt is a mess but is powerless to change, though ultimately, with the intervention of his eccentric grandfather and his inspirational English teacher, Matt moves towards a gradual resolution.

Matt’s narration gives the novel some character and the stylistic devices add a nice layer of trimming – Matt views things as though he’s directing a movie of his life and he makes some smart comments on modern romantic movie tropes. However, the other, all white, characters are largely undeveloped stereotypes.

So not a lot to see here, but YA fans of sad stories might enjoy it.

Reviewed from an ARC.