Tag Archives: tragedy

Skylark and Wallcreeper by Anne O’Brien Carelli

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Skylark and Wallcreeper by Anne O’Brien Carelli
Yellow Jacket, 2018.

There were two historical novels on the Cybils Middle Grade Fiction shortlist and they ended up at the bottom of our list – not because they weren’t good, but because we felt that the genre just lacks appeal to many middle grade readers. Skylark and Wallcreeper mixes past and present to interesting effect, whereas Anne Nesbet’s The Orphan Band of Springdale is set wholly in the past. I have enjoyed Ms Nesbet’s books in the past, particularly Cloud and Wallfish but also her earlier fantasies, and I read this one a while ago but did not take sufficient notes for me to write a review. Sorry. Anyway onto a book that I did take notes on.

In 2012, 12yo Lily helps to move her granny, Collette, and the other residents when they are evacuated to the Brooklyn Armory as Superstorm Sandy wreaks havoc on their nursing home in Queens. In the confusion of the move and settling in, Lily loses a fountain pen that is mysteriously precious to her granny and goes in search of it. In a second storyline, Collette is a 12yo in Brume, Southern France, in the final years of World War II and is an active member of the French Resistance.

Parallels can easily be drawn between the two protagonists. They are both persistent, resourceful, independent, and spunky, doing whatever it takes to achieve their goals, though clearly there is a lot more actual danger to Colette. They even look alike, with short hair, as they bicycle around their neighborhoods. Both stories are set in emergency situations in which these young girls are at liberty to make decisions and take actions that they would not normally be able to. Neither girl is given much background or context, though we learn more about Lily’s regular life than Colette’s.

Colette’s chapters are a series of vignettes of her Resistance missions, from the time she is first recruited into “Noah’s Ark” as Wallcreeper. She meets Marguerite, aka Skylark, and together they undertake deliveries, sending messages, and spying, right up to their derailing of a German train. While exciting, this lack of background makes Collette less of a fully-developed character.

Particularly notable is Lily’s empathy and kindness to the dementia-inflicted Colette and the other elderly nursing home residents. But she (and the author) are clear-eyed about these seniors – they are not the cute and funny characters of many books and movies – but are nonetheless regular people with a million stories to tell. However, Lily’s pursuit of the fountain pen is rather forced and there’s an overabundance of coincidences leading to the satisfying conclusion.

Though historical novels can be a tough sell to kids, particularly ones that are not rooted in their own history, they might find the idea of the Resistance has contemporary parallels. The author carefully explains the repugnance felt towards collaborators, and the particular contempt felt towards the Milice, the French military police that supported the Germans. There’s not much light and shade here: the Resistance is good and the collaborators were bad.

I’m not sure how much kid appeal Wallcreeper actually has, and this is not helped by being printed in a large font, making the size of the book potentially quite daunting. However, those who like historical fiction, strong girl characters, and/or exciting adventures will find something to enjoy here.

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The Parker Inheritance by Varian Johnson

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The Parker Inheritance by Varian Johnson
Levine, 2018.

So I have spent the weeks since the beginning of the year reading and judging middle grade fiction for the Cybils awards. It was very satisfying: I read some terrific novels and had some interesting discussions. In the end, our choice came down to two novels and I’m thrilled that my top choice, The Parker Inheritance, won out. That’s today’s review and over the next few weeks I’ll post about the other books. In case you’re interested, here is the link to the full list of Cybil award winners.

12-year-old Candice is spending a “horrible summer” in Lambert, South Carolina as her home in Atlanta is being remodeled prior to being sold after her parents separate. She and her mother are staying in the home of her beloved grandmother, who died two years ago, and while clearing out the attic, Candice finds a letter addressed to her grandmother that offers the opportunity of finding $40 million by solving “a puzzle mystery that will take you deep into the city’s past.”

As Candice and her new friend Brandon (both brown-skinned like the majority of characters in the book) try and work out the clues that will lead them to the treasure, they uncover the Jim Crow past of Lambert, particularly an incident involving a tennis match and the African American Washington family.

With twin themes of “Just because you don’t see the path doesn’t mean it’s not there” and “We hear what we want to hear. We see what we want to see,” Inheritance covers a lot of ground about prejudice both past and present. So here’s a list of the topics the novel explores: sexism, gender roles and labelling, homophobia, racism, segregation, police violence against Black people, Jim Crow, passing, miscegenation. There may well be more but those are the ones that immediately came to my mind. These are all woven organically into a terrifically absorbing mystery as Candice and Brandon try to crack the puzzle which is really well worked through, and the elements that the kids take on can also be solved by the reader (albeit a very smart one).

The characters are vividly created – not just our main two protagonists but all the support ones, and the author gives them all some complexity and nuance. Though there are some out and out villains, those on the side of good, adults and kids alike, are not perfect but recognize their slips. The South Caroline setting, both past and present, is powerfully evoked and the Jim Crow era is strikingly brought to life through both Candice and Brandon’s research and the chapters set then that are interspersed throughout the book.

This book is the real deal and a thoroughly deserving winner. It covers so many important issues without making them “issues,” and fully integrates them into an engaging and thought provoking novel.

Blood Water Paint by Joy McCullough

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Blood Water Paint by Joy McCullough
Dutton, 2018

Set in 17th century Rome, this harrowing and deeply emotional novel in verse is a fictionalized account of the early life of painter Artemisia Gentileschi.

Her art is sold under her father’s name as no-one accepts that a woman can paint, but since her mother died, her father, resentful of her superior talent, is distant and harsh. So Artemisia is thrilled when Agostino Tassi is hired to tutor her, and it seems there might be a romantic attraction between them. But Tino is really a predator and rapes her.

Artemisia’s narrative verse is tight and focused when she is describing her painting, shatters during her ordeal, and is jagged with her suppressed fury at the inequity of her position.

Woven throughout are her mother’s stories of Susanna and Judith, biblical women who stood up to the oppression of men, and these women become figures of strength for Artemisia during the trial after her assault. She is able to find an outlet for her rage at the patriarchy and through painting them with her unique perspective.

The novel is adapted from the author’s play and an afterword gives some biographical information about Artemisia. Inexplicably it excludes the full story of her later professional and personal success, which I think does a disservice to readers who are likely not aware of the full story. Or maybe Ms McCullough is saving it for a sequel.

Includes resources for victims of sexual assault.

I, Claudia by Mary McCoy

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I, Claudia by Mary McCoy
CarolRhoda Lab, 2018.

So I’m of an age that I watched the BBC series of I, Claudius when it was first on TV and thrilled the nation. And Ms McCoy has taken that story and set it in an elite private high school and it works really well. As an examination of the use and abuse of power, the shenanigans of the over-privileged and entitled students of the Imperial Day School fits perfectly.

Claudia McCarthy (oh what fun Ms McCoy has with her characters names) is a freshman with a limp and a stutter, and just wants to fade into the background. But her popular and well-liked sister Maisie brings her into the inner circle of the Honor Council with its current President Augustus Dean and his girlfriend Livia Drusus. Students are expelled or graduate, rather than the more gruesome ends they suffered in Robert Graves’s classic, as, over the years, the Honor Council presidency moves from Augustus to Ty and finally to Cal Hurt’s reign of terror (see what I mean about names – Caligula was played by John Hurt in the TV series).

Claudia herself is a fantastic creation. Not particularly likable and thoroughly unreliable about her own motives as she rises through the ranks of the school’s Senate with her crush the virtuous Hector, Claudia is unrepentant and pugnacious. She is telling her story, apparently to a therapist, as we accompany her through the school’s descent into wild decadence.

Really, this was just an absolutely terrific read and I was inspired to read I, Claudius to see if I could spot more connections. What I found was that Ms. McCoy and the BBC scriptwriters had sensibly focused on the spine of the story, whereas Grave’s Claudius chronicles every name and relationship to the point of my utmost confusion and, sadly, indifference. So hooray for Mary McCoy taking inspiration and then setting off with it on a wildly entertaining novel.

One of Us Is Lying by Karen M. McManus

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One of Us Is Lying by Karen M. McManus
Delacorte, 2017 (audiobook)

The Breakfast Club meets Agatha Christie in this riveting teen mystery novel, which made for a great listen.

Five senior high schoolers get detention but within minutes of them arriving in the room, one of them is dead. Though it appears initially to be an accident it soon emerges that it’s murder and that only one of the four – brainy Bronwyn, sporty Cooper, pretty and popular Addy, or bad boy Nate – can have done it. They all claim to be innocent but then it emerges that the dead boy, Simon, who was behind their high school’s savage (but always true) gossip app, had dirt on all of them which he was about to go public with.

The novel is told through the perspective of the four teens, as they go from being witnesses to being suspects, and then, finally, investigators themselves. The twists pile up and the resolution is satisfying and unexpected.

What makes this more than just a smart mystery is the unravelling of the foursome’s lives when their secrets become public and how they deal with it. It shows the horrible pressures that many high school students are under, often driven by their family circumstances but also self-imposed. They rise above their John Hughesian cliche roles, becoming rich and nuanced characters and the audiobook readers do a terrific job of bringing them to life.

Highly recommended.

Otherwood by Pete Hautman

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Otherwood by Pete Hautman
Candlewick, 2018.

This strange and eerie middle grade is a sophisticated and cerebral fantasy about alternate realities.

8 year-olds Stuey and Elly share a love of playing in the woods between their houses, particularly in the shelter created by a deadfall of trees, which they name Castle Rose. The woods used to be a golf course owned by Stuey’s ex- bootlegger great-grandfather and back in the 1940’s he vanished from there along with his arch-enemy, the district attorney Robert Rosen.

Shortly after their 9th birthdays, Stuey shares this family secret with Elly when they are in Castle Rose and she just disappears in front of Stuey’s eyes. Of course nobody believes him, but when Stuey goes back to Castle Rose he occasionally sees Elly there and it turns out she thinks he disappeared and, in her reality, nobody believes that either.

Hautman does a terrific job of setting up the fairly complex idea of alternate realities and the mindboggling twists that go with that. As their worlds and the people in them take different paths, Stuey and Elly comes to realize that somehow the secret has broken reality into two and it is up to them to try to glue it back together.

Despite their differences – Stuey thinks he comes from a planet “where everybody is blond and chunky and we don’t talk much” and Elly is from “Planet Opposite” as she is skinny with curly hair and talks a lot – the kids are both thoughtful and realistic about their situations. They know that nobody will believe what actually happened and so they lie to conform, in turn making themselves question what really happened.

Weaving in themes of loss, redemption, and the power of friendship, this is a charming novel that will appeal to readers looking for an elegant but satisfyingly smart fantasy.

Born Scared by Kevin Brooks

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Born Scared by Kevin Brooks
Candlewick, 2018.

13 year-old Elliot is scared of “everything” and hardly ever leaves the sanctuary of his room, or his home in rural England. The only people who don’t fill him with horror are his Mum, Aunt Shirley, and Dr Gibson, and he has internal conversations with his twin sister who died an hour after she was born. In the middle of a blizzard, Elliot realizes there’s been a mixup with his anti-anxiety meds, so his mother goes out, just for 10 minutes, to get them, but then she doesn’t come back. After several hours, Elliott screws up his courage and goes to look for her.

As Elliott narrates his slow, laborious, and terror-stricken way along a road, through a field, and into a wood, there is a second storyline about a pair of bank robbers disguised in Santa outfits. This has an odd mix of tones: blackly comic as one of them is the archetypal dumb criminal who has to be told everything numerous times but there is also deeply unpleasant violence, made all the more shocking by its matter of factness.

Elliott is an engaging narrator, unflinchingly straightforward about his debilitating anxiety and the beast within him that’s only kept at bay by his pills, and has created Ella as an alter ego and friend who can coax him out of retreating into himself. His fear never leaves him as he struggles through the snow, but he and Ella find ways to cope and keep him going forward. Though it never feels like Elliot will have a fairytale ending in which his fear disappears, there is hope that he is at least a small step forward.

This is not an easy read, as it swings between Elliot’s terror-stricken narrative and the black comedy of the robbers, but most middle graders will recognize his anxiety, albeit likely much more extreme than they have felt, and empathize with his heroic quest.