I’ve read most of Robison Wells’ books and have really enjoyed the combination of interesting set ups and fast-paced action, and have always appreciated that he writes duologies, thus getting rid of the boring middle book in a trilogy at a stroke.
Dark Energy is, for the most part, a terrifically paced, tightly plotted scifi thriller set in the right now. A massive alien spaceship has crashed into the Midwest, killing thousands, and Alice’s NASA bigwig Dad is called in. Rather than leave her behind in Miami, he enrolls her into the tony Minnetonka School for the Gifted and Talented. When the inhabitants of the spaceship finally emerge, they are surprisingly human looking, and two of them are placed at Minnetonka, but it is only when the spaceship is being explored that it emerges that all is not what it seems.
The pacing of the majority of this novel is superlative. As Alice settles into school there is little indication of the drama yet to come: she makes friends, she finds romance, and she learns the ropes. When aliens Coya and Susika are introduced to the school, there is some fun with them not knowing the ways of human world, including not understanding Alice’s teen snark, as well as some mysteries: why won’t they talk about their mother? Why don’t they wear shoes? Then the tone darkens considerably as Alice and her friends are invited by her Dad to come into the spaceship to document it. What they find is sickening and raises some big questions.
The final section, however, lost me a bit. As the true aliens emerge, they feel slightly silly early-Dr Who monsterry, and the pace becomes frantically fast and felt muddled. I felt a lot was not resolved satisfactorily, despite an end-tying up epilogue. It appears that this is a standalone, though frankly, as I was racing towards the end, I didn’t think it was going to be, as there was so much left unexplained.
Dark Energy is a step forward for the author in terms of characterization. Alice is a fully rounded, not always likeable, smart teenage girl and the support characters, including her two science nerd roommates, and her potential love interest are all several cuts above cardboard.
Alice’s mother was Navajo and, confounding my initial dark thoughts of token diversity, Navajo rituals and traditions are integral to the plot. According to the author’s note at the end, he has some personal experience of these and has run his writing past experts. I’m no Debbie Reese, and I’m sure she will thoroughly analyze Dark Energy, but it does appear to me that Mr Wells has done his due diligence and used his knowledge respectfully. Update: Debbie Reese has reviewed Dark Energy and does not recommend it.
I hope between ARC and publication, the ending will get sorted out because I feel this could be Mr Wells’ best novel to date. However, even as it stands, it will have plenty of appeal to teen readers who enjoy scifi in a current day setting, and those who look out for strong female leads.
Thanks to Harper Collins and Edelweiss for the digital ARC.
Just a couple of postscript gripes. The title seems a bit lame and generic – there’s a prologue that sort of justifies it, but that feels bolted on and even says “This story isn’t about dark energy.” And the cover (at least on the digital arc) appears to show a truck, whereas Alice’s car is, crucially, a BMW 550i GT.