Tag Archives: horror

Wilder Girls by Rory Power

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Wilder Girls by Rory Power
Delacorte, 2019

An eye-catching cover and intriguing premise is sure to bring readers to this YA speculative thriller, reminiscent of Jeff Vandermeer’s Annihilation.

18 months ago, the Tox hit Raxter School for Girls on a remote Maine island. Most of the teachers went mad and killed themselves, some girls lost or gained body parts, others mutated in different ways, and the flora and fauna on the island has grown larger and wilder. Narrator Hetty has lost an eye, her friend Byatt has grown a second spine and the hand of her other friend Reese has turned to silver scales.

With the CDC and Navy promising a cure, the school is quarantined behind a secure fence and cut off from all communications, but this precarious balance is blown when narrator Hetty joins the “Boat Shift” – the group that leaves the school to collect supplies – and when Byatt disappears. 

In the first part of the book Power leisurely builds the world with a few brief glimpses of life before the Tox. Character development does not seem to be a priority (main characters all default white) and even Hetty is not much more than a stereotypical YA dystopian protagonist. Her unresolved sexuality and out of the blue attraction to Reese provide some relief from the disease-driven plot, but the novel remains one-note overwrought, with life-threatening crises from page to page.

The arc of the story follows a familiar pattern as Hetty and friends start to search for explanations and unravel a potential conspiracy (Maze Runner fans might have some ideas) and the plot picks up momentum, with fast-paced, occasionally gruesome, action and horror. 

An environmental theme is introduced late in the novel and with many questions unanswered a sequel is sure to follow. 

Thanks to Delacorte and Netgalley for the digital review copy.

 

Rayne and Delilah’s Midnite Matinee by Jeff Zentner

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Rayne and Delilah’s Midnite Matinee by Jeff Zentner
Crown, 2019.

Rayne Ravenscroft and Delilah Darkwood are the onscreen names of high school seniors Josie and Delia for their public access TV show where they present schlocky horror movies from the 1970s.

They make a good team. Delia knows and loves these horror movies because they are all that’s she has of her dad who left her and her mum when she was eight, and hasn’t been heard from since. Josie, however, has always wanted to work in TV, so when she is offered an internship at the Food Network, she is torn between trying to make Midnite Matinee a success or moving on. When Delia discovers that legendary horror show producer Jack Devine is at Shivercon it seems like a great opportunity to move their show to the next level.

The young women alternate narration. Delia is the emotional heart of the novel, desperately trying to find stability in her life, and Josie, witty and erudite, is ambitious and wants to bust open her life. Their friendship is intense but it seems to me that Delia does a lot more giving and forgiving than Josie.

Delia has depression, which is helped by medication – hooray for making this a depiction of the positive benefits of antidepressants. Additionally, Midnite Matinee with her best friend Josie gives her something to hold on to. Delia has also just discovered that her father lives close to where Shivercon is, so she could take the opportunity to see him and ask the question that has nagged her for so long – why did he leave?

Delia and Josie are spunky, foolhardy, brave (or oblivious as only a teenager could be) and get themselves into some wacky situations which are funny in the book but would be scary in real life and made me (as an adult and a parent) quite uncomfortable. However, the scenes of the setting up and taping of the show are hilarious and absolutely worth the price of admission..

This is a sweet and melancholy story about endings and beginnings, about a pivotal time of life (or at least, what feels like a pivotal time of life at the time) and two close friends going in different directions.

The Dark Descent of Elizabeth Frankenstein by Kiersten White

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The Dark Descent of Elizabeth Frankenstein by Kiersten White
Delacorte Press, September 2018.

Mary Shelley’s 200-year-old gothic horror Frankenstein story is given a YA feminist update in this stirring retelling from the point of view of 17-year-old Elizabeth Lavenza, a minor character in the original tale. White (And I Darken series) largely hews to the original tale, albeit told through a lens in which smart women are suppressed and trapped by contemporary norms, but deftly twists the ending to bring a whole new light to our understanding of the characters.

At the age of five the orphan Elizabeth is brought into the Frankenstein household to befriend and, it emerges, to help socialize the out of control genius Victor. Elizabeth sees this as a way of assuring a safe future for herself and makes herself look “fragile and sweet, incapable of harm and deceit” while chafing at being forced into this subservient and dependent role. Years later when Victor cuts off all contact with them while he is studying at Ingolstadt, Elizabeth pursues him there, scared that he has abandoned her, but is horrified at what she discovers.

Elizabeth reveals far more perception, emotion, and intelligence than her society allows her and her narration has the elegant formality of the 19th century while flowing swiftly, moving between the past and present. Though the reader will probably be aware of the monstrous experiments that Victor is undertaking, Elizabeth’s dawning realization is artfully drawn.

This novel happily stands alone for those who have never read the original; however, those who have read Mary Shelley’s masterpiece (or have read the Wikipedia précis like I did) will thrill to the subtle and profound changes the author has made.

Reviewed from an ARC.

Dread Nation by Justina Ireland

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Dread Nation by Justina Ireland
Balzer + Bray, 2018

The author creates an extraordinary world in this genre-mixing alternate history set after the Civil War.

After the battle of Gettysburg, the dead started rising and attacking the living, so the war between the states turned into the war against the restless dead. The country has turned into autonomous walled city states on the East coast and defended homes and towns elsewhere. The ruling Survivalist party believes that the reason for the dead rising is that the Civil War changed the “natural order” and that only by having White Christian men at the top and everyone else knowing their place would  America be made “safe again”.

This means that the “Negroes” (the official term, less official words used are “darkies” and “coons”) though enfranchised have been forcibly put through combat training school and made to work protecting individuals and cities. Seen as disposable, like animals, and often poorly equipped, they are slaves in another guise, while being told they should be grateful for being taught.

Our protagonist, 17-year-old Jane McKeene is about to graduate from the presitigious Miss Preston’s combat academy. She is dark-skinned and a typical feisty YA heroine who acts before she thinks and is thoughtful, smart, resourceful, and curious. She has her own code of loyalty and self-protection, and while it leads her into some difficult scrapes, the reader is always on her side. Of course she gets into trouble and she, her classmate and nemesis Katherine, a light-skinned beauty, and multiracial Jackson are forcibly sent to Summerland, a new model town which is being built as a model for shambler-free (ie undead-free) settlements everywhere. There are some dark secrets in Summerland and Jane is just the person to uncover them, all the while battling the ever-evolving restless dead.

The characters are all vividly and generously dimensional and there is plenty of thought-provoking parallels to contemporary American society wrapped up in an exciting adventure punctuated with some horrific zombie (though that word is never used) slaying. As the book ends, Jane and her companions are headed off on a new quest and, presumably, for a sequel.

A Skinful of Shadows by Frances Hardinge

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A Skinful of Shadows by Frances Hardinge
Amulet, 2017

Hardinge (The Lie Tree, 2016) creates an extraordinary fantasy which marries a 17th century English Civil War setting with her usual dazzling creativity, deliciously deep and complex characterization, and bright, sophisticated writing.

Some members of the aristocratic Fellmottes are able to be possessed by multiple ghosts, ancestors who continue to live on by passing from body to body though, unfortunately, if too many crowd, in the spirit of the host can be lost. Young Makepeace Lightfoot, an illegitimate and lowly branch of the family, has this ability and after the death of her mother is taken in by the Fellmottes to work in their kitchen.

But she realizes that she is a spare host, being kept on hand in case a vessel for the ancestral spirits is needed and she runs away, using her wits and those of a few friendly ghosts that she has invited in, to journey across war-conflicted England, staying one step ahead of her pursuing family.

Makepeace is a trademark Hardinge protagonist: intelligent, thorny, and gutsy. But the tightrope trick here, which the author brilliantly pulls off, even adding some flourishes, is that Makepeace is host to a bear, a Royalist doctor and a Parliamentarian soldier, all of whom are fully-developed characters and have easy to follow conversations with her and each other. Makepeace has a half-brother, James, who also has the Fellmotte ability, and he is her anchor as well as the catalyst for Makepeace’s bid for freedom. This reminds me, in its profundity and authenticity, of the sibling relationship in Cuckoo Song.

At first, I found the novel to be rather slow-paced and uninvitingly grim. But I was riveted once Makepeace sets off on her own and the novel explores the political and social landscape of her country as she is hunted by her family.

As a teen, I was fascinated with the Civil War and was wholly on the side of the way more romantic Royalists. Indeed, one of my earliest historical crushes was Rupert of the Rhine (who gets a shout out here with his dog, Boy). As an older, and maybe wiser, person, I can feel much greater sympathy with the dour Parliamentarians who, while having justice on their side have a bit of a worrying hardline streak. All this to say that Hardinge does a marvelous job of evoking the divergent camps and Makepeace’s pragmatic approach to them.

Makepeace wants to do more than just get by and survive, she wants to flourish and this is an ideal novel for readers who want to do the same, whether they are middle schoolers, older teens, or adults.

Hardinge, hugely popular and feted in the UK, seems to be finding an audience here in the US following the success of The Lie Tree. Her blend of historical setting, singular fantasy, and courageously unsentimental feminist protagonists can make for a challenging and spiky read, but the balm of the gorgeous writing eases the way.

Before I Let Go by Marieke Nijkamp

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Before I Let Go by Marieke Nijkamp
Sourcebooks Fire, January 2018

A creepily atmospheric YA paranormal chiller which draws much of its menace from its setting in a tiny tight-knit community in the wilds of Alaska during the long winter when there are few hours of daylight. Corey returns to Lost Creek, “an almost all-white conservative town with little room for wayward girls,” for the funeral of Kyra, her troubled best friend and almost immediately realizes it was a suicide not an accident. Corey becomes increasingly troubled by the town inhabitants’ attitude towards Kyra in both life and death and, even though she herself left only a few months ago, their closing against her as an “outsider.” This is interspersed with flashbacks to the previous two years during which Kyra’s alternate manic episodes and depressions had become increasingly severe. Niekamp (This Is Where It Ends, 2016) draws nuanced portraits of both bipolar Kyra, looking only for acceptance of herself as she is, and Corey, convincingly conflicted between being there for her friend and craving normality. Some interesting sub-plots around sexuality are undeveloped and the novel occasionally breaks into a screenplay format for no apparent reason. Nonetheless, this will appeal to teens who enjoy magical realism with a side of eerie. Reviewed from an ARC.

Dreamfall by Amy Plum

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Dreamfall by Amy Plum
HarperTeen, May 2017

I was really enjoying this imaginative and gripping scifi horror thriller, but then I started to get this little niggle: there wasn’t much left to read and there seemed a fair bit of plot to squeeze in. And then, oh crap, I realized it’s the first book in a series. Why, why, why? It felt like another 50 pages would have been quite sufficient to tie up all the ends and give us a satisfying resolution. But, oh no, Ms Plum, who has written other series, wants to keep it going. Still, on the basis of reviewing what’s in front of me and not what I wish it was, here goes….

After an experimental treatment for severe insomnia goes wrong, seven teens are stuck together in a place they call Dreamfall, which throws them alternately between one of their nightmares and a white waiting room-like void. The nightmares are various degrees of chilling and originality, including monsters, clowns, and zombie monks, and the author ratchets up the tension as the teens race to get out of each nightmare and back to the Void.

The Dreamfall teens are mixed in age, ethnicity and social class and two of them, 16 year old Catalina and 18 year old Fergus narrate these sections. Initially it’s all a bit of a jumble with seven characters, but they do gradually shake out into at least two-dimensions. A third narrator, Jaime, is a medical student who was observing the treatment in the lab and this allows the reader to see the doctors’ reactions, improbable as they sometimes are, as well as allowing us to peek at the subjects’ files and find out the differing reasons for their insomnia.

The plot rattles along at a breakneck pace, only to come to an abrupt cliff-hangerish sort of ending. No real resolution is reached, just further twists thrown in along with a bunch of other loose ends. It’s not clear where the author is going to take this, or if this is going to be a trilogy or duology. For my money, this should have been a one and done, but teens who like series may disagree.

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Polaris by Michael Northrop

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Polaris by Michael Northrop
Scholastic, October 2017

Mr Northrop has always been good at fast-paced adventures, and he turns that talent to a new genre – one he calls “historical science fiction.” It’s a well-plotted thrill ride with some excellent surprises that will appeal to middle grade lovers of speculative fiction with a side of horror.

On an 1830’s scientific expedition to Brazil, the captain and a handful of the crew of the Polaris accompany a botanist into a jungle inlet. A week later, only half of them return and there is sinister mystery surrounding what they discovered. A mutiny ensues, leaving just six boys on the ship and they decide to sail back it to the US. It gradually emerges that there is someone or something on board with them and it is not friendly.

The characters are roughly drawn but serviceable for keeping the plot moving along. We see the narrative through the eyes of three of them – Owen, the captain’s nephew, Manny, a Spanish boy with a secret, and Henry the botanist’s assistant. There are tensions between them pivoting on class, science, and nationality.

The novel successfully combines historical sailing adventure and hold your breath creeping around below decks, with a dash of 19th century science sprinkled in. It rattles along and sweeps to a thrilling climax with a Jurassic Park-like question mark at the end. As with Surrounded by Sharks, Mr Northrop knows what to do to keep a reluctant reader engaged and the historical setting is far enough in the background so it doesn’t to get in the way.

Thanks to Scholastic and Netgalley for the digital review copy

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The Creeping Shadow by Jonathan Stroud

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creeping-shadowThe Creeping Shadow by Jonathan Stroud
Lockwood & Co. Book 4
Disney Hyperion, 2015

This middle grade series just keeps getting better. Lucy Carlyle is now out fighting ghosts on her own, away from the comfort and protection of Lockwood and Co. She’s doing alright, after all she has the Bartimaeus-style snarky skull to keep her company, and she’s making a living as a freelancer. But, and you’ll have noticed the name of the series, she’s soon back happily working with charismatic Anthony Lockwood, nerdy George Cubbins, and even last book’s newcomer and love rival, the elegant Holly Munro.

There is an overarching grand conspiracy going on, that seems to revolve around the two original agencies founded to solve the Problem, Fittes and Rotwell, and once again, Lockwood and Co. is all wrapped up in it. This time it starts when Lucy discovers that someone is stealing powerful Sources which should be destroyed, and leads to a very haunted village.

Stroud does a magnificent job of keeping this series fresh, building on the familiar characters and world, as well as introducing new elements. Coming into the familiar mix of humor, chills, and mystery is a more somber note, a trepidatious twang of foreboding: Lockwood’s dark side and live fast die young attitude comes more into focus, even as he gets closer to Lucy.

Each novel in this series can stand alone, with an episodic structure that builds to a dramatic climax. But the reader would be best to start at the beginning to get the full rich umami of the stew that the author keeps cooking up for us.

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As I Descended by Robin Talley

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AsIDescended-highresAs I Descended by Robin Talley
HarperTeen, September 2016

I have really enjoyed Ms Talley’s two previous books, particularly What We Left Behind  (2015), one of my top books of 2016. Both those books were about, among other things, young women coming to terms with their gender and sexuality. In her latest, many of her characters just happen to be gay and lesbian, and none of them have any issues with this (though their parents might have), and the author has ventured into genre territory – an exceedingly chilling modern day retelling of Macbeth, setting in a Virginia boarding school.

When spirits tell brown-skinned Maria, through a Ouija board, that she will have what she most desires, she decides to take matters into her own hands, goaded on by her white girlfriend Lily. The prize is the prestigious Cawdor Kingsley scholarship, and once the spirits offer it, Maria can’t stop wanting it, and will let nothing get in her way, beginning with deposing Queen Bee, Delilah.

Though this isn’t a completely faithful rendition of Macbeth – none of the characters have children, for example – it is surprisingly close and works extremely well. Some of it is a little forced – the football field is rather clunkily called Dunsinane – but the characters and their motivations and arcs are remarkably faithful. It will work just fine for readers unfamiliar with the Scottish play, but for those who do know it, there are some clever nods and reimaginings.

The story is told from the point of view of several characters, and they are mostly well-developed despite being players in a melodramatic story. However, Maria/Macbeth starts off well, but as she gets further into the web woven for her by the malignant forces, l lost the feel of her and she seemed to become more of a chess piece to get through a plot. However, Lily/Lady Macbeth and Brandon/Banquo avoid this, and are heartbreaking in their roles.

Because it’s based on a Shakespearean tragedy, there is a lot of Gothic drama and the writing becomes very feverish and a little overwrought. However, Ms Talley brings a creepiness that kept me awake and a little nervous in my holiday cottage in Ireland, and which will appeal to fans of Maggie Stiefvater.

Thanks to HarperCollins and Edelweiss for the digital review copy.