Category Archives: YA

Lovely War by Julie Berry

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Lovely War by Julie Berry
Viking, 2018

A gorgeous and lush YA romance set during World War I is framed by a quarrel between the Greek gods representing the novel’s big themes of love, war, art, and death.

When James Aldridge meets piano playing Hazel Windicot at a parish dance, they have only a few days together before he leaves for the front. They are both terribly British: shy and innocent, reticent yet thrumming with interior emotions. They have tea, stroll through parks, and go to a concert, and though they have never even kissed, it’s clear that theirs is a love for the ages.

As James is whisked off to the trenches, Hazel signs up to entertain the troops in France. There she meets up with Belgian Colette Fournier, who has survived a German massacre of her town in which all her friends and family were slaughtered. Through these two women we get to see the confining sexism of the times – neither British nor Belgian women got the vote till after the war, but it’s more the social and cultural norms that chafe here.

They both get to know Aubrey Evans, a black musician (all other main characters are white) who plays with real-life Jim Europe’s 369th Infantry ragtime band aka the Hellfighters. Through Aubrey we see the horrific bigotry that the black soldiers faced from their compatriots. As Aubrey and Colette begin to fall in love, there are warning signs that an interracial romance will be a grenade lobbed into the rigid propriety and attitudes of their “superiors”, so when Aubrey disappears, Colette and Hazel fear the worst.

Both epic and intimate, the novel contrasts the minutely detailed horrors of the trenches with the exquisite intensity of love, particularly during an enchanting interlude when Hazel and James meet in Paris. None of the protagonists are unscathed by the war but, like me, I think many readers will be swept away by the glorious story and the message that, in the end, love conquers war and death.

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Blood Water Paint by Joy McCullough

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Blood Water Paint by Joy McCullough
Dutton, 2018

Set in 17th century Rome, this harrowing and deeply emotional novel in verse is a fictionalized account of the early life of painter Artemisia Gentileschi.

Her art is sold under her father’s name as no-one accepts that a woman can paint, but since her mother died, her father, resentful of her superior talent, is distant and harsh. So Artemisia is thrilled when Agostino Tassi is hired to tutor her, and it seems there might be a romantic attraction between them. But Tino is really a predator and rapes her.

Artemisia’s narrative verse is tight and focused when she is describing her painting, shatters during her ordeal, and is jagged with her suppressed fury at the inequity of her position.

Woven throughout are her mother’s stories of Susanna and Judith, biblical women who stood up to the oppression of men, and these women become figures of strength for Artemisia during the trial after her assault. She is able to find an outlet for her rage at the patriarchy and through painting them with her unique perspective.

The novel is adapted from the author’s play and an afterword gives some biographical information about Artemisia. Inexplicably it excludes the full story of her later professional and personal success, which I think does a disservice to readers who are likely not aware of the full story. Or maybe Ms McCullough is saving it for a sequel.

Includes resources for victims of sexual assault.

I, Claudia by Mary McCoy

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I, Claudia by Mary McCoy
CarolRhoda Lab, 2018.

So I’m of an age that I watched the BBC series of I, Claudius when it was first on TV and thrilled the nation. And Ms McCoy has taken that story and set it in an elite private high school and it works really well. As an examination of the use and abuse of power, the shenanigans of the over-privileged and entitled students of the Imperial Day School fits perfectly.

Claudia McCarthy (oh what fun Ms McCoy has with her characters names) is a freshman with a limp and a stutter, and just wants to fade into the background. But her popular and well-liked sister Maisie brings her into the inner circle of the Honor Council with its current President Augustus Dean and his girlfriend Livia Drusus. Students are expelled or graduate, rather than the more gruesome ends they suffered in Robert Graves’s classic, as, over the years, the Honor Council presidency moves from Augustus to Ty and finally to Cal Hurt’s reign of terror (see what I mean about names – Caligula was played by John Hurt in the TV series).

Claudia herself is a fantastic creation. Not particularly likable and thoroughly unreliable about her own motives as she rises through the ranks of the school’s Senate with her crush the virtuous Hector, Claudia is unrepentant and pugnacious. She is telling her story, apparently to a therapist, as we accompany her through the school’s descent into wild decadence.

Really, this was just an absolutely terrific read and I was inspired to read I, Claudius to see if I could spot more connections. What I found was that Ms. McCoy and the BBC scriptwriters had sensibly focused on the spine of the story, whereas Grave’s Claudius chronicles every name and relationship to the point of my utmost confusion and, sadly, indifference. So hooray for Mary McCoy taking inspiration and then setting off with it on a wildly entertaining novel.

One of Us Is Lying by Karen M. McManus

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One of Us Is Lying by Karen M. McManus
Delacorte, 2017 (audiobook)

The Breakfast Club meets Agatha Christie in this riveting teen mystery novel, which made for a great listen.

Five senior high schoolers get detention but within minutes of them arriving in the room, one of them is dead. Though it appears initially to be an accident it soon emerges that it’s murder and that only one of the four – brainy Bronwyn, sporty Cooper, pretty and popular Addy, or bad boy Nate – can have done it. They all claim to be innocent but then it emerges that the dead boy, Simon, who was behind their high school’s savage (but always true) gossip app, had dirt on all of them which he was about to go public with.

The novel is told through the perspective of the four teens, as they go from being witnesses to being suspects, and then, finally, investigators themselves. The twists pile up and the resolution is satisfying and unexpected.

What makes this more than just a smart mystery is the unravelling of the foursome’s lives when their secrets become public and how they deal with it. It shows the horrible pressures that many high school students are under, often driven by their family circumstances but also self-imposed. They rise above their John Hughesian cliche roles, becoming rich and nuanced characters and the audiobook readers do a terrific job of bringing them to life.

Highly recommended.

Speak: The Graphic Novel by Laurie Halse Anderson; illustrated by Emily Carroll

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Speak: The Graphic Novel by Laurie Halse Anderson; illustrated by Emily Carroll
Farrar Straus Giroux, 2018

I have not read the 1999 novel that this graphic novel is drawn from but, even knowing that this came from a full length novel, I didn’t feel it in any way skimped on the emotional or narrative depth.

Melinda Sordino went to a party in the woods before she started at high school and ended up calling the cops. When she starts high school in the fall she is ostracized by both her friends and students who hardly know her but they all blame her for the breakup of the party and its fallout. It’s initially not clear what has happened to Melinda in the woods but her response to Andy Evans, a senior, leering at her gives us a clue.

Gradually Melinda withdraws into herself, her grades fall, and she becomes isolated, depressed, and virtually mute. The only place she feels she can be herself is in her art class with the quirky teacher who believes in her ability to express herself through her art. Through the project he sets, Melinda is able to explore and open up, gradually realizing what happened to her and as the circle is closed she is able to find her voice and make herself heard this time.

The novel is not without humor. Mel’s narration is caustic as she assesses the other students and the meaningless promises the school makes about being there “to help you” and wanting to “hear what you have to say.” Her bitterness about her situation can be shot through with wit as well, as she re-writes her report cards, grading herself on lunch, friends, and clothes.

Carroll’s illustrations in shades of gray capture Melinda’s experiences both literally and metaphorically. The horror of the assaults on her are conveyed by the transformation of her attacker from person into a fuzzy featured ghoul, and the cinematic cuts sharpen the pace of the action. Being able to actually show Melinda’s artwork, though this is not as heavy handed as you might think, adds another dimension to the novel.

Melinda’s gradual steeling and strengthening is shown symbolically through the solace she finds in gardening and through her writing on the meaning of snow in The Scarlet Letter. It’s maybe a little more overt than you would find in a longer novel but feels rich and persuasive.

Mel gets her own #MeToo and #TimesUp moment, and readers will be cheering for her. Her attacker looks like he will face his comeuppance but who knows what will happen if he is nominated for the Supreme Court when he’s 53.

Best of my 2018 reading

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Best of my 2018 reading

Here is my annual list of books I have most enjoyed this year (excluding adult books which are outside the purview of this blog). As ever, they are books that I have given 5 stars to in Goodreads and are in no particular order because that’s too much like hard work.

Enjoy!

Middle grade

Be Prepared by Vera Brosgol (graphic memoir)

The Button War by Avi (historical – review to come)

My Year in the Middle by Lila Quintero Weaver (historical)

 

YA

The 57 Bus by Dashka Slater (nonfiction)

Dread Nation by Justina Ireland (historical speculative)

Lighter than my Shadow by Katie Green (graphic memoir)

Little Do We Know by Tamara Ireland Stone (realistic)

Lost Soul, Be at Peace by Maggie Thrash (graphic memoir/fantasy)

Monday’s Not Coming by Tiffany D. Jackson (realistic)

Picture Us in the Light by Kelly Loy Gilbert (realistic)

A Skinful of Shadows by Frances Hardinge (speculative)

Speak: A Graphic Novel (graphic realistic fiction – review to come)

Thick as Thieves by Megan Whalen Turner (speculative)

And there’s still time to nip out to your local bookstore to score a fab present for the teenager or middle grader in your life!

Happy Christmas!

Truly Devious by Maureen Johnson

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Truly Devious by Maureen Johnson
Katherine Tegen, 2018

Stephanie “Stevie” Bell has been invited to join the elite Ellingham Academy – home to “creative geniuses, radical thinkers, and innovators.” It’s a one of a kind school – completely free and allows the students to focus on their passions. In Stevie’s case that means crime detection. But not only is the school a top place to be educated, it also harbors a mystery: in 1936, the wife and daughter of founder and very rich person Arthur Ellingham are kidnapped. The body of Iris, his wife, and of a pupil from the school are found days later, but his daughter Alice is never found. As Stevie tries to investigate the decades old crime, there is a murder at the school and Stevie gets involved with that too.

The tone of the novel is both sharply modern but also manages to be fashionably retro. The plotting is smart and intriguing and the combination and connections of the old mystery and the new one is well done. As well as straightforward present-day narrative, there are perspectives from 1936 and FBI transcripts of interviews connected to the old mystery.

Stevie is an interesting character – very much at odds with what her parents would like and desperate for friendship from people who get her. Her new friends have a wide range of skin colors, sexualities, and gender expressions and are developed to varying degrees, mainly through the passions that have brought them to the school. Stevie also has a romance that feels completely unlikely and lacking in chemistry.

However, and this makes me so mad, this is the first book in a series and virtually nothing is resolved. You may disagree, but I do feel like a mystery should offer some closure within a book, even if there is an overarching bigger mystery, but that does not happen here – we are left completely hanging. And, while I’m complaining, Stevie manages to find a major clue in a large tin box that the police have somehow completely overlooked while searching a room – feels unlikely and convenient. So all in all, I have to say Truly Devious just felt unsatisfactory.