Eulogy Beach, MS still shows signs of the devastation wrought by Hurricane Katrina over a decade ago.White high school senior Ramona “Blue” Leroux, her older sister, Hattie, and father are still living in the FEMA issued trailer. Ms Murphy’s novel sympathetically portrays life on the margins: Ramona works two jobs to help her family scrape by and save a little for herself, but now Hattie is pregnant and her feckless boyfriend is moving in, making Ramona feel more trapped than ever.
Ramona Blue, nicknamed for her love of the ocean, is a wonderful character and Ms Murphy makes her thoughtful and credible. Self-described as “the white trash lesbian from the trailer park,” she stands out in all respects – over 6’ tall with blue hair and one of the few out people in town. Her allegiance to her family gives her a sense of responsibility which she shoulders lightly and with goodwill.
At the start of senior year, she’s still entwined in a romance with closeted holiday visitor Grace who now seems to be distancing herself. And then Freddie, a “light-skinned black boy” who used to be a regular summer visitor and close friend returns. Freddie is a lot of things that Ramona isn’t – well-off, secure, and with a sense of his future. When Ramona starts swimming at the Y with him she finds it fills a need she didn’t know she had and her friendship with Freddie starts to develop into something more.
Murphy does a great job of peopling Ramona’s world with believable, appealing characters. Her family, though down on its luck, is tight-knit and supportive, and her friend group, though small, has the sort of charm and wit that is common in YA novels but is not usually portrayed so believably. Her relationship with Freddie also allows Ramona to consider “what being black in the South might mean.”
Over the year, Ramona learns that just because something is not bad, that doesn’t make it good and she finds a direction and purpose in her life that is about just her and her choice.
Ms Murphy has a knack of creating quirky offbeat characters that engage and charm and can expand the reader’s view of ‘normal’. Though I didn’t love this quite as much as Dumplin’ (2015), it was still a very pleasurable read.
Thanks to Balzer + Bray and Edelweiss for the digital review copy.