Inspired by the author’s experiences while traveling in northern China, the author uses the fictional story of Roshen to shed light on the young Uyghur (pronounced WEE-gur) women who are transported thousands of miles to work in Chinese factories. As the Chinese suppress Uyghur culture and traditions, the oppressed families are coerced into signing over their teenage daughters under the Transferring Surplus Labor Force to Inner China policy with threats of losing their land and livelihoods by the Chinese cadres who rule the provinces.
Roshen, along with several other Uyghurs, is assigned to the Hubei Work Wear Company as, effectively, indentured labor. They are forced to work long hours in harsh conditions, poorly fed, tricked out of their pay, and kept isolated from their families and the outside world. Despised and discriminated against by the Chinese, both for their ethnicity and for being Muslim, the young women have different coping mechanisms: Roshen is outwardly “sweet” but inwardly recalls traditional poetry; Mikray rebels and tries to escape; and Hawa cozies up to the factory owner. Though the young women are preyed upon and exploited by the bosses, there are a few kind locals who try and alleviate their situation as best they can.
Roshen holds close the poetic command to “wake up!” but she lacks agency, and it’s there that the novel falls down a bit. Of course, in real life, simply surviving this ordeal would be an achievement, but in a novel like this, the protagonist really needs to be less passive.
Other than Roshen, the other Uyghurs are a little thinly developed. It doesn’t help that there are a lot of them and only a handful emerge with any clarity. However, the strength of the protective kinship between the young women is beautifully drawn and contrasts sharply with the utter hopelessness of their situation. The author does not pull her punches about the casual and relentless cruelty and indifference of their bosses.
There are some context notes at the end, and a few sources for further reading, but it does appear that the deliberate persecution of the Uyghurs and the elimination of their culture is mostly undocumented.
Ideal for teens interested in novels about social justice.